You have enough on your plate. Nominee luncheons. Press releases. Etc. I get it. You don’t have time to watch all the nominated films. No worries. I’m pleased to step up to the plate, watch the movies, and offer my (informed) opinions. I know you’ve looked forward to this memo for the last nine years, so how could I possibly disappoint you by skipping a year? So attend your lunches and write your press releases lauding improved diversity numbers among your ranks. Leave the Oscars to me. I’ll take it from here.
The tradition continues. I’ve been documenting my top films of the year since 2002, when Bowling for Columbine took the top spot. This past year had some real gems, including those that made this list, as well as some that didn’t, like low-budget indie The Florida Project and large-scale blockbuster Beauty and the Beast. Check out my 2017 list, then tell me what made your list.
Christopher Nolan’s first IMDb credit came for writing, directing, shooting, editing, and set designing his 3-minute short film, “Doodlebug” (1997). The black-and-white, noirish film was made while Nolan (then credited as “Chris”) was studying English literature at university. Its lone performer, Jeremy Theobald, later starred in Nolan’s feature debut, Following (1998), another black-and-white noir just a year later.
It doesn’t take much to notice the early stages of Nolan’s evolving “film mind” in this brief piece. The various levels of reality at play here are fully on display in a greater form in Nolan’s 2010 film, Inception.
Breathe deep. Following lackluster box office numbers of late, 2015 is aiming to usher in a wealth of cinematic riches with an onslaught of proven tentpoles. Such films scheduled with 2015 release dates includeFurious 7, Avengers: Age of Ultron, Pitch Perfect 2, Jurassic World,Ted 2, Spectre (“Bond 24”), <exhale> The Hunger Games: Mockingjay – Part 2, Star Wars: Episode VII – The Force Awakens, and Mission: Impossible 5 <exhale>. But in case that’s not enough to quench your appetite, there’s Peanuts coming in November. That doesn’t hit your sweet spot? Fifty Shades of Grey bows in February.
Each of Limité’s Film writers presents 10 of her or his most-anticipated films of 2015. Check out their picks, then tell us what you’re looking forward to seeing in the new year.
All synopses are courtesy of IMDb.com, unless otherwise noted. As films are in various stages of production, information is subject to change, including release dates.
Who would have thought the year’s greatest thriller would be a documentary? In the days following Citizenfour’s world premiere at the New York Film Festival last Friday, various news and entertainment outlets have been lauding filmmaker Laura Poitras’s achievement, and rightfully so. Of all the films this reviewer screened at the 52nd New York Film Festival, none has left an impact quite as deep as Citizenfour.
On August 24, 2009, LimitéMagazine.com originally posted my exclusive interview with Aaron Guzikowski, screenwriter of the upcoming film Prisoners, starring Hugh Jackman and Jake Gyllenhaal. At the time, the film was due for a release in late 2009, but after some delays, it will finally hit the big screen this September 20, following screenings at the Telluride and Toronto International Film Festivals. In the meantime, Guzikowski’s first produced screenplay, Contraband, made waves at theatres last year with Mark Wahlberg’s and Kate Beckinsale’s names above the title.
This Throwback Thursday, I’m reposting this interview in the wake of Prisoners‘ September release.
(originally posted August 24, 2009)
In New York and LA, you couldn’t spit without hitting someone who’s writing a screenplay. Out of the thousands who try, only a handful might actually sell their scripts, and even fewer will have them produced. So what’s Aaron Guzikowski’s secret?
I have been waiting for this film for a very long time. Originally scheduled to be released last year, Gravity will now open on October 4, 2013. Director Alfonso Cuarón is one of my go-to directors. He has an ability to capture a very real and gritty aspect of life and the “human condition” (there’s that term I hate so much). The director worked on this film with frequent collaborator, DP Emmanuel Lubezki, who just happens to be my favorite cinematographer. If only the film were pushed to a November/December release it might stand a better shot at Oscar gold. Here’s hoping it resonates with voters.
Astronauts attempt to return to earth after debris crashes into their space shuttle, leaving them drifting alone in space.
Labor Day has passed, and now it’s time to consider this year’s crop of what will inevitably be considered some of Oscar’s biggest fodder. It’s no surprise that when it comes to the Academy Awards, the movies that are most likely to be honored with a nomination are those that are released towards the end of the year. Some of this year’s frontrunners appear to be Argo, Django Unchained, The Hobbit: An Unexpected Journey, Hyde Park on Hudson, Life of Pi, Lincoln, The Master, Les Misérables, Silver Linings Playbook, Wreck-It Ralph, and Zero Dark Thirty. Of course, there’s plenty of other flicks to look forward to, spanning all genres and audience interests.
Note: All non-authored pieces’ loglines are courtesy of IMDb.com.