These are my top 10 films of 2019.
For all annual top films lists from 2002 to the present, click on the “Annual Top Films Lists” tab above.
Category Archives: Narrative
My Top 10 Films of 2018
These are my top 10 films of 2018. And yes, I did see Roma, Green Book, The Favourite, and Bohemian Rhapsody, among many others.
For all annual top films lists from 2002 to the present, click on the “Annual Top Films Lists” tab above.
2018 Memo to the Academy
Dear Academy,
You have enough on your plate. Nominee luncheons. Press releases. Etc. I get it. You don’t have time to watch all the nominated films. No worries. I’m pleased to step up to the plate, watch the movies, and offer my (informed) opinions. I know you’ve looked forward to this memo for the last nine years, so how could I possibly disappoint you by skipping a year? So attend your lunches and write your press releases lauding improved diversity numbers among your ranks. Leave the Oscars to me. I’ll take it from here.
Your Friend,
Dan Quitério
My Top 10 Films of 2017
The tradition continues. I’ve been documenting my top films of the year since 2002, when Bowling for Columbine took the top spot. This past year had some real gems, including those that made this list, as well as some that didn’t, like low-budget indie The Florida Project and large-scale blockbuster Beauty and the Beast. Check out my 2017 list, then tell me what made your list.
Short Film: “Alike”
Creativity matters. Don’t let society make you lose your color. What a beautiful sentiment.
Short Film: “Stutterer”
I have a bit of an attachment to this film. “Stutterer”, written and directed by Benjamin Cleary, was submitted to a film festival of which I was a member of the screening committee. I loved it. Of the 100 or so films I screened that year, it was one of the best I had seen. I championed it to the programmers in hopes that they’d agree and add it to the festival’s slate. Alas, the film didn’t make the cut—not because it wasn’t good or deserving. Great films are often rejected from festivals for any number of reasons. Months later, “Stutterer” was nominated for an Oscar, along with one other film I screened for the same festival (which I also championed and was also rejected). “Stutterer” won. (I should start my own damn festival.)
2017 Memo to the Academy
Dear Academy,
Eight years later, I’m still waiting for that magical piece of mail, inviting me to join your fine organization. But that’s not keeping me from sounding off on a few Oscar categories. I’ve seen all the nominated films, and I have some thoughts that should be considered. So allow me to make your job easier. Here’s who should win. You’re welcome.
Your Friend,
Dan Quitério
“Feud: Bette and Joan” Main Title Sequence
One of the most notorious feuds in Hollywood history is that of rival sisters Joan Crawford and Bette Davis. And they’re the subject of my most-anticipated show of 2017, Ryan Murphy’s newest anthology series, Feud, starring Jessica Lange as Crawford and Susan Sarandon as Davis. Have a look at the show’s recently released opening sequence. The pair’s 1962 psychological thriller What Ever Happened to Baby Jane? airs as part of TCM’s 31 Days of Oscar on March 2, just three days before Feud‘s March 5th premiere on FX.
“La La Land”: Overhyped?
I’ve been having conversations lately with friends who aren’t quite buying into the frenzy. They may like or dislike La La Land, but either way they’re just not getting it. “Fourteen Oscar nominations? Tied for the most in history?” La La Land may be good, but it’s not a juggernaut, they might say. Its effect on our culture is hardly titanic in scale. So why all the hype?
Does “Hidden Figures” Trivialize the Black Experience?
I’ve been seeing a deluge of posts online about how great Hidden Figures is. I like the movie, but it’s by no means as terrific as people say, in my opinion. Yes, it’s a good thing that this story has come to the surface, giving due recognition to these important people. But…
Full disclosure: I’m not black.
However, I do believe the film trivializes the African-American experience in the 1960s. There are nearly no hurdles for the women in the film to overcome. How can that be? They’re black in the 1960s South! Every obstacle is cleared in the same scene in which it’s presented. Three examples (minor spoilers ahead):
Continue reading Does “Hidden Figures” Trivialize the Black Experience?
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