Men We Love: Michael Fassbender

(Re-posted from LimitéMagazine.com)

by Saidah Russell
March 4, 2012

The end of the Oscars marks the end of another awards season filled with its share of victories, as well as disappointments—perhaps none more bitter (depending on whether you’re camp Davis or Streep) than the snubbing of Michael Fassbender for his devastating and shockingly vulnerable portrayal of long-suffering sex addict Brandon Sullivan in ShameFor those of you who have only recently become aware of the actor, well, let’s just say there’s a lot to learn. Last year was certainly a breakout year for Fassbender with the release of four films (Jane Eyre, X-Men: First Class, A Dangerous Method, and Shame), a feature in GQ as the magazine’s pick for Breakout Man of the Year, and a Golden Globe nomination. Though he didn’t win the award, the nomination and subsequent publicity have done much to garner Fassbender some well-deserved attention. But, unfortunately, there are still those among us—those non-believers—who may need some convincing. So whether you’re reading this for validation or proof of the wonder that is Michael Fassbender, here are a few reasons why we love him and why you should, too.

Continue reading Men We Love: Michael Fassbender

2012 Memo to the Academy

(Re-posted from LimitéMagazine.com)

Dear Academy,

Here we go again. The Super Bowl is over, and now it’s time for the real games to begin. You have a hefty task in front of you—choosing who’s most deserving of that little golden guy. With all the hype and buzz around, it’s easy to get confused. Here’s a little help.

Your friends,

Limité’s film staff

BEST PICTURE

Nominees: The ArtistThe DescendantsExtremely Loud & Incredibly CloseThe HelpHugoMidnight in ParisMoneyballThe Tree of LifeWar Horse

Dan QuitérioHugo. For my money, Hugo is the best-composed film of the year—the imaginative performances, the vivid art direction, the crisp cinematography, the rich story—they all come together to provide the audience with a complex and colorful experience, all the while providing it with a lesson in film history without it feeling like sitting in a stodgy classroom. On top of that, the film provides some of the best use of 3D than any other film in recent memory—a format that surely isn’t going anywhere and was lovingly embraced by a true master of filmmaking in Martin Scorsese. No other film last year—except for maybe Midnight in Paris—has the capability of igniting the imagination quite like Hugo. This film reminds us why the film medium is so special.

Predicted Winner: The Artist

Stephanie DawsonThe Artist. I don’t think any of these films are as amazing or as groundbreaking as nominees in previous years. The Tree of Life is polarizing because of it’s “what?!” factor. Extremely Loud & Incredibly CloseThe Help, and War Horse revel in their emotional manipulation of the audience. Moneyball and Midnight in Paris are better writing achievements than complete films. The story momentum in both Hugo and The Descendants keeps sputtering and the central stories change at least twice in each. The Artist is simple, enjoyable from the first frame, and just the right amount of “sweet,” and so it has my vote, unfortunately by default.

Predicted Winner: The Artist

Janice PerezMidnight in Paris. I haven’t seen anything in a very long time that resonated with me on a very intimate and highly personal level the way Woody Allen’s darling of a film did. Maybe it stems from my being a dedicated Francophile, or probably because that film was a beautiful homage to art. Well, whatever the cause, I loved Midnight in Paris to the hilt for being a film that really brought my own fondest imagination to life.

Predicted Winner: The Artist

Continue reading 2012 Memo to the Academy

Q&A: Team from Oscar-Nominated Film “Time Freak”

(Re-posted from LimitéMagazine.com)

Among this year’s Oscar nominees for Best Short Film—Live Action is “Time Freak,” the comedic story of a neurotic inventor who creates a time machine that he uses to travel around yesterday so that he can obsessively correct his social foibles. The short is the only American film nominated in its category. I had the chance to pick the brains of the film’s masterminds, including writer/director Andrew Bowler, his producer wife Gigi Causey, and lead actor Michael Nathanson, just before their big day in Hollywood.

[youtube http://www.youtube.com/watch?v=-_DLkVR7hK0]

Where were you when you found out about the nomination?

Michael: I actually was sound asleep. My wife is a public school teacher in NYC, and she had been up early and found out at work. When she woke me up by screaming into the answering machine, I knew it was good news.

Andrew: We were at home when we heard the news. We got up at 4:45am, unable to sleep anymore. The telecast did not come on ’til about 5:50am, and then the results were posted online shortly after that. We wanted to share the possible moment with our friends and family in different parts of the country, so we shot it.

(Watch this video of Andrew and Gigi finding out they have been nominated for an Oscar.)

[youtube http://www.youtube.com/watch?v=MnwiOYhIExU&feature=youtu.be]

Continue reading Q&A: Team from Oscar-Nominated Film “Time Freak”

Continued Q&A: Team from Oscar-Nominated Film “Time Freak”

This is the continuation of a Q&A with the team from the Oscar-nominated short film “Time Freak” that I conducted for LimitéMagazine.com. For the first part of my interview with writer/director Andrew Bowler, producer Gigi Causey, and lead actor Michael Nathanson, click here.

Andrew, did you go to film school?

I went to NYU’s film school. I think I had a similar experience to most people who go there in that I met my best friends whom I would collaborate with for years and almost no one else. Geoffrey Richman, Michael McDermott, and Adam Fleischhacker are all accomplished filmmakers in their own right and they all worked really hard on “Time Freak.” The four of us all met in the same video class sophomore year. Geoffrey and Mike were producers [on “Time Freak”], as well as the editor and production designer, respectively.

Michael, how and when did you first catch the acting bug? What have been your biggest challenges in developing your style and rhythm as an actor?

I remember being in my first school play when I was in sixth grade, playing the comedic villain in a Gilbert and Sullivan musical, and getting in front of an audience and thinking, “Wow, this is what I want to do.” I was always a film buff, and I had the opportunity to see so many great films, growing up in NYC. It really wasn’t until I got to Northwestern in Chicago and studied theatre that it really hit me that this is what I’m going to be doing with my life. As an actor, kind of like the character in “Time Freak,” you’re always trying to get better, understand the craft more—sometimes it works and sometimes it doesn’t. I feel like I try, whether it’s stage or screen, to give the audience something edgy, something unexpected. I like when an audience is uncomfortable, and yet wants to know more. I think that’s when the most interesting work happens. There’s a fearlessness I admire in actors like Gary Oldman and in comedians like Bill Murray; they are so invested in their character work, you truly feel like anything can happen at any moment. I guess I would say I’m not into ever playing it safe.

Continue reading Continued Q&A: Team from Oscar-Nominated Film “Time Freak”

My Final Predictions for 84th Academy Awards

Tune in to the 84th Academy Awards, this Sunday, February 26 at 7pm EST on ABC.

Best Picture

The Artist

Other Nominees:

The Descendants

Extremely Loud & Incredibly Close

The Help

Hugo

Midnight in Paris

Moneyball

The Tree of Life

War Horse

Best Director

Michel Hazanavicius (The Artist)

Other Nominees:

Alexander Payne (The Descendants)

Martin Scorsese (Hugo)

Woody Allen (Midnight in Paris)

Terrence Malick (The Tree of Life)

Continue reading My Final Predictions for 84th Academy Awards

Official Trailer: Abraham Lincoln: Vampire Hunter

Official Logline:

President Lincoln’s mother is killed by a supernatural creature, which fuels his passion to crush vampires and their slave-owning helpers.

[youtube http://www.youtube.com/watch?v=34x6m-ahGIo]

Women We Love: Viola Davis

(Re-posted from LimitéMagazine.com)

by Janice Y. Perez
February 14, 2012

With barely two weeks left for the 84th annual Academy Awards and with the surprising outcomes of other recent film awards, bloggers, aficionados, and Oscarologists have this one escalating conundrum: Meryl Streep (in The Iron Lady) or Viola Davis (in The Help)?

Though the rest of this year’s Best Actress category has a slew of strong and solid performers (Glenn Close in Albert Nobbs, Rooney Mara in The Girl with the Dragon Tattoo, and Michelle Williams in My Week with Marilyn), it’s undeniable that the focus has been solely on Streep and Davis, whose respective portrayals of the last century’s most polarizing female political figure and a docile—but headstrong—maid in 1960s Mississippi have thwarted the two in what appears to be the most thrilling Best Actress race the Academy has seen in a long time.

Continue reading Women We Love: Viola Davis

5 Reasons This Year’s Oscars Are Worth Watching

It’s close. It’s so close. I can taste it. And it tastes awesome. The 84th annual Academy Awards is less than two weeks away. Take my birthday. Take Christmas. Give me the Oscars and remain silent during the show. I must not be disturbed. If you want to know my thoughts, follow me on Twitter (@suddenlydog), as I’ll be live tweeting for my third year.

There’s always plenty to get excited about each year, but here are my top five reasons the Oscars are worth watching this year:

5. A Pig and a Frog Walk into a Bar …

Though nothing has been confirmed, the prospects of Muppets appearing at the Oscars is enough to get me excited. “Man or Muppet” from The Muppets is nominated for Best Original Song. It would be a hugely missed opportunity if the Jim Henson creations of my youth didn’t appear on stage for the number (that is, assuming the songs are performed on stage this year—there’s only two, so why not?). And don’t forget—Miss Piggy is a fashionista. Could she be strolling the red carpet? Joan Rivers did leave some shoes to fill. I think our porcine friend could cram her hooves in them with little effort.

Continue reading 5 Reasons This Year’s Oscars Are Worth Watching

84th Annual Academy Award Nominations & Analysis

The 84th annual Academy Award nominations were announced today. Here is the complete list of nominees and my analysis along the way. Stay tuned for the Oscars on Sunday, February 26.

Best Picture

The Artist – Following its PGA win, this film is primed to win the big prize on February 26.

The Descendants – I’m not surprised by this nomination, though I don’t think the film is deserving of it. It’s a flawed film, but AMPAS likes Alexander Payne.

Extremely Loud & Incredibly Close – This is one of two surprise nominees in this category and the only one I have not yet seen.

The Help

Hugo – If it were up to me, this would win Best Picture. In my opinion, it’s the strongest and best-composed of the nine nominated films.

Midnight in Paris

Moneyball – Overall, a terrific film and deserving of this honor.

The Tree of Life – This is the second surprise nominee in this category. Arguably the most polarizing film of the year, don’t expect Tree to win here.

War Horse – Spielberg gets a Best Picture nomination, but is snubbed for Best Director. This doesn’t bode well for War Horse‘s chances.

Continue reading 84th Annual Academy Award Nominations & Analysis

2012: The Year of the “Best Picture”

After completing the eight-year odyssey that was my 170 list, I’ve turned my sights to a new list: the Oscar Best Picture winners. To date, I’ve seen 65 of the 83 winners (and I’ve seen all Best Picture nominees since 1998).

As the 84th Academy Award nominations are to be announced later today (8:30am EST/5:30am PST), I’m turning my focus to these immortalized films and I’m giving myself until the 2013 Oscars to complete the list. That said, I’m declaring 2012 “The Year of the ‘Best Picture’.”

Here are the remaining 18 Best Picture winners I have left to watch:

     

     

     

a film blog by Daniel Quitério