Category Archives: Narrative

MY WEEK WITH MARILYN Press Conference at New York Film Festival

I caught a screening of the Michelle Williams-starring My Week with Marilyn, prior to its world premiere at the New York Film Festival today. This true story stars Williams as Marilyn Monroe during the filming of The Prince and the Showgirl (1957) in England. Colin Clark (Eddie Redmayne) is a 23-year-old film enthusiast who pushes his way into working with Laurence Olivier (Kenneth Branagh) on his new film, which he’s directing and starring in opposite Monroe. Throughout filming, Olivier finds it difficult to work with the struggling Marilyn (she’s not the great actress she wants to be), who is newly married to famed playwright Arthur Miller (Dougray Scott). When Arthur leaves Marilyn’s side to be with his children in New York, the delicate and troubled Marilyn begins to confide in young Colin, who grows close to her despite the advice of everyone around.

The film is Simon Curtis’s feature directorial debut and also stars Emma Watson, Julia Ormond, Toby Jones, Dominic Cooper, Derek Jacobi, Zoë Wanamaker, and Judi Dench, with a script by Adrian Hodges, based on Clark’s diaries. It opens in theatres on November 4, undoubtedly with an awards push for Williams’s stunning performance.

Here are a few clips from today’s press conference at New York’s Walter Reade Theater, featuring Curtis, Williams, and Redmayne. (The sound quality is acceptable, but not ideal.)

[CLIPS HAVE BEEN DELETED.]

Charlie Kaufman Is Back with FRANK OR FRANCIS

Despite Synecdoche, New York (2008), Charlie Kaufman is still my favorite screenwriter. And he’s back! The Oscar-winning writer of Eternal Sunshine of the Spotless Mind (2004), Adaptation. (2002), and Being John Malkovich (1999), will be directing his second film, Frank Or Francis.

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3 More to Go!

I started my “170” odyssey eight years ago. Now, I have just three movies left to watch before my 30th birthday in five weeks. Here they are:

SUNRISE (1927)

Winner of three Academy Awards during the ceremony’s inaugural year, this is the story of a married farmer who falls in love with a city girl who tries to convince him to drown his wife. This is the first film to win the Oscar for Best Cinematography, and it features Janet Gaynor, the very first Best Actress winner. (In the earlier years, actors could be nominated for their body of work, rather than just one film. Gaynor won her award for this, 7th Heaven, and Street Angel.) Sunrise also won the award for Best Picture, Unique and Artistic Production—a category that existed just that one year.

LETTER FROM AN UNKNOWN WOMAN (1948)

Joan Fontaine stars in this film about a pianist who receives a letter from a strange woman who may hold the key to his downfall. If there was any film on my 170 list that would have eluded me from reaching my goal, it would have been this one. This was the only movie I couldn’t find anywhere. I began to allow myself to be okay with watching just 169 of the films on my list before my 30th birthday, as this movie seemed “lost.” However, I didn’t give up. I found someone who was selling this movie and I bought it at a good price. It’s now sitting by my TV, waiting to be watched.

INTOLERANCE (1916)

DW Griffith followed up his highly controversial The Birth of a Nation (1915) (also on my 170 list) with this epic saga. After Birth, this is the second oldest film on my list. Both star Lillian Gish and Mae Marsh, two highly prolific actresses from the era and arguably among the first bonafide movie stars. This film explores prejudice and intolerance throughout multiple periods in world history. I purposely chose to watch this film last because I’ve owned it for several years and have never been able to bring myself to watch it the whole way through. This film has been with me almost as long as my 170 list, so I thought it would be appropriate to finish off my list with it.

First Look: Extremely Loud & Incredibly Close

[youtube http://www.youtube.com/watch?v=50ZQoOJv5vg]

Based on Jonathan Safran Foer’s sophomore novel, Extremely Loud & Incredibly Close tells the story of nine-year-old Oskar Schell, whose beloved father was killed in the 9/11 attacks. Young Oskar finds a strange key that was left behind by his dad, and he takes it upon himself to journey throughout New York City to find out what it unlocks.

I’m currently reading this book and have to say that the Oskar in my head while reading does not exactly match the Oskar in this trailer. Though the character’s precociousness is consistent, I don’t get the impression that Trailer Oskar would make the same fart references that Book Oskar does. And who doesn’t love a good fart reference? Still, I’m looking forward to this film, which features an impressive cast, including Tom Hanks, Sandra Bullock, James Gandolfini, John Goodman, Viola Davis, Max von Sydow, and Jeffrey Wright. Teen Jeopardy! winner Thomas Horn makes his acting debut as Oskar. The film is directed by three-time Oscar nominee Stephen Daldry (The Reader, The Hours, Billy Elliot).

Foer’s first novel, Everything Is Illuminated, was made into a 2005 Liev Schreiber-directed film starring Elijah Wood. Foer was just 25 years old when the book was published in 2002. What were you doing when you were 25?

In Theatres: Moneyball

Based on the Michael Lewis-penned book Moneyball: The Art of Winning an Unfair Game, the film version with the abbreviated title is backed by a slew of awards favorites, including screenwriters Steven Zaillian (Oscar winner for Schindler’s List, 1993) and Aaron Sorkin (Oscar winner for The Social Network, 2010); director Bennett Miller (Oscar nominee for Capote, 2006); and producers Michael De Luca (Oscar nominee for The Social Network), Rachael Horovitz (Emmy winner for HBO’s Grey Gardens, 2009), and Scott Rudin (Oscar winner for No Country for Old Men, 2007). And then, of course, there’s the acting talent, lead by Brad Pitt (Oscar nominee for The Curious Case of Benjamin Button, 2008) with a supporting performance by Philip Seymour Hoffman (Oscar winner for Capote).

So, I guess what I’m trying to say is, “Oscar voters, pay attention.”

There are several things I love about the fall, my favorite season. Chief among them is that it’s the start of awards season—all of the year’s best movies are reserved until this time of year with the thought being that Academy Award voters are most likely to remember the last movies they see. (It’s not a surprise that films that open earlier in the year are largely ignored come February’s ceremony.) It’s all about strategy. And it works. Just ask Billy Beane (portrayed by Pitt in Moneyball), who leveraged an unconventional strategy to build a successful baseball team in 2002. (Excuse me while I pat myself on the back for this pretty awesome segue.)

Summary:

Billy Beane was once a would-be baseball superstar who, stung by the failure to live up to expectations on the field, turned his fiercely competitive nature to management. Heading into the 2002 season, Billy faces a dismal situation: his small-market Oakland A’s has lost its star players (again) to big-market clubs (and their enormous salaries) and is left to rebuild his team and compete with a third of its payroll. Driven to win, Billy takes on the system by challenging the fundamental tenants of the game. He looks outside of baseball, to the dismissed theories of Bill James, and hires Peter Brand, a brainy, number-crunching, Yale-educated economist. Together, they take on conventional wisdom with a willingness to re-examine everything and armed with computer-driven statistical analysis long ignored by the baseball establishment. They reach imagination-defying conclusions and go after players overlooked and dismissed by the rest of baseball for being too odd, too old, too injured, or too much trouble, but who all have key skills that are universally undervalued. As Billy and Peter forge forward, their new methods and roster of misfits rile the old guard, the media, the fans, and their own field manager, who refuses to cooperate. Ultimately, this experiment will lead not only to a change in the way the game is played, but to an outcome that would leave Billy with a new understanding that transcends the game and delivers him to a new place. (courtesy of Yahoo! Movies)

Director: Bennett Miller

Screenwriters: Steven Zaillian, Aaron Sorkin

Producers: Michael De Luca, Rachael Horovitz, Scott Rudin

Cast: Brad Pitt, Jonah Hill, Philip Seymour Hoffman, Robin Wright, Chris Pratt

Genre: Drama, Sport

Distributor: Sony Pictures

Official Site: moneyball-movie.com

Runtime: 133 min.

[youtube http://www.youtube.com/watch?v=AiAHlZVgXjk]

9/11 in the Movies

Ten years later, I’m surprised at the lack of narrative feature films that have depicted the events of 9/11. A couple that immediately come to mind are 2006’s United 93 and World Trade Center. (Of course, the 2004 Michael Moore documentary Fahrenheit 9/11 deserves mention here, despite not being a narrative.) Sure, there have been some others in which 9/11 served as a backdrop or back story, but very few in which the attacks, themselves, are dramatized for the big screen. Perhaps some feel it’s still too soon or it would be wrong to profit from the tragic events—though that’s never really deterred filmmakers with a story to tell in the past.

[youtube http://www.youtube.com/watch?v=kHdqw6scuIc]

UNITED 93

IMDb Summary: A real-time account of the events on United Flight 93, one of the planes hijacked on 9/11 that crashed near Shanksville, Pennsylvania when passengers foiled the terrorist plot.

Director: Paul Greengrass

Screenwriter: Paul Greengrass

Producers: Tim Bevan, Eric Fellner, Paul Greengrass, Lloyd Levin

Cast: JJ Johnson, Gary Commock, David Alan Basche, Olivia Thirlby, Liza Colón-Zayas

Genre: Crime, Drama, Thriller

Distributor: Universal Pictures

Runtime: 111 min.

Rating: R, for language and some intense sequences of terror and violence

[youtube http://www.youtube.com/watch?v=yoVTupwbQ-s]

WORLD TRADE CENTER

IMDb Summary: Two Port Authority police officers become trapped under the rubble of the World Trade Center.

Director: Oliver Stone

Screenwriter: Andrea Berloff

Producers: Moritz Borman, Debra Hill, Michael Shamberg, Stacey Sher

Cast: Nicolas Cage, Michael Peña, Maria Bello, Maggie Gyllenhaal, Jay Hernandez, Michael Shannon

Genre: Drama

Distributor: Paramount Pictures

Runtime: 129 min.

Rating: PG-13, for intense and emotional content, some disturbing images, and language

WARRIOR Strikes Hard

I caught a screening of Warrior a couple of weeks ago and was pleasantly surprised. Generally, I’m not a sports movie fan (except for some noted gems, like Rocky), but this mixed martial arts (MMA)-based film is more than just a sports movie. This is a character-based film with heart. Rising stars Tom Hardy (Inception, The Dark Knight Rises) and Joel Edgerton (Animal Kingdom, Kinky Boots) play estranged brothers opposite their screen dad Nick Nolte. The brothers find themselves participating in the same MMA tournament, only to find themselves standing across each other in the finals. Both men have much to gain and even more to lose. This film is well written, directed, acted, scored, etc., etc., etc. It’s one of the best films I’ve seen all year, and I didn’t even notice it ran a little long (139 minutes). Definitely check it out when it hits theatres on September 9.

Click here to read Limité Magazine‘s review by Stephanie Dawson.

Director: Gavin O’Connor

Screenwriters: Gavin O’Connor, Cliff Dorfman, Anthony Tambakis

Producers: Gavin O’Connor, Greg O’Connor

Cast: Tom Hardy, Joel Edgerton, Nick Nolte, Jennifer Morrison

Genres: Action, Drama, Sports

Distributor: Lionsgate

Runtime: 139 min.

Rating: PG-13, for sequences of intense mixed martial arts fighting, some language, and thematic material

Release Date: 9.9.11

[youtube http://www.youtube.com/user/LionsgateLIVE?v=rESBZ3bbS2o&feature=pyv&ad=16313219874&kw=warrior%20download]

Kevin Smith’s RED STATE Set for “One Night Only” Event

Note: Melissa Leo won her Oscar for Best Supporting Actress, not Best Actress.

[youtube http://www.youtube.com/watch?v=uJ1v6oFHefc]

HOLLYWOOD, CA, September 2, 2011—On the heels of its chart-topping, Academy-qualifying run at Quentin Tarantino’s New Beverly Cinema, SModcast Pictures announced today the next phase of its unprecedented release strategy for Kevin Smith’s controversial thriller Red State.

On Sunday, September 25, Red State will screen at select theatres nationwide through a unique partnership with the Emerging Pictures theatre network, announced David Dinerstein, whose D Squared Films is overseeing the films distribution for SModcast. “Red State will be made available as a ‘One Night Only’ event, which mirrors the format of SModcast’s record-breaking Red State USA Tour from earlier this year. For this screening event, Smith’s trademark post show Q&A will be digitally streamed live from Tarantino’s New Beverly into all of the participating theatres, allowing audience members to interact directly with Smith utilizing Twitter. Smith will be joined on stage by a special guest who will moderate the Q&A,” said Dinerstein.

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Coming Soon: Machine Gun Preacher

Marc Forster, the versatile filmmaker who brought us the imaginative Stranger Than Fiction and Finding Neverland and the gritty Monster’s Ball, is primed to deliver big with his latest offering, Machine Gun Preacher—arguably the best-titled film of the year (not to be confused with this year’s Hobo with a Shotgun, which is an equally amazing title). This is the true story of Sam Childers (Gerard Butler), a former drug-dealing biker, who takes it upon himself to advocate for Sudanese children who are forced to be soldiers.

I’m a big fan of Forster’s work, so I’m looking forward to this film. Its fall release and Forster’s name put the film in prime contention for Oscar consideration. The Academy is usually a sucker for true stories, particularly those with heart, which this film appears to have. Judging from the trailer and synopsis, Childers’s arc is pretty dynamic. I’m interested to see what Butler did with such a meaty, inspired part. It’s good to see him outside the rom-com genre, at least for the time being.

Director: Marc Forster

Screenwriter: Jason Keller

Producers: Robbie Brenner, Craig Chapman, Marc Forster, Deborah Giarratana,  Gary Safady

Cast: Gerard Butler, Michelle Monaghan, Michael Shannon

Genres: Action/Adventure, Drama

Distributor: Relativity Media

Official Site: machinegunpreacher.org

Release Date: 9.23.11 (NY & LA)

New Poster Released for DRIVE

Below is the new domestic poster, just released for Nicholas Winding Refn’s action/thriller Drive, which is slated to bow in theatres on September 16. The film stars Oscar nominees Ryan Gosling and Carey Mulligan. (Synopsis after the jump)

Continue reading New Poster Released for DRIVE