Category Archives: Narrative

HICK Poster Debuts

And speaking of Chloë Grace Moretz (see the Carrie post below), the official poster for her upcoming release Hick debuts today. (There isn’t a single actor in this movie that I don’t love!) Check it out below, followed by information on the new film.

Official Synopsis:

Small-town teenager Luli (Chloë Grace Moretz ) escapes to Las Vegas, leaving behind her alcoholic and abusive parents. Armed with her smarts, a pistol and pocket money, she hitchhikes her way west. Along the way, Luli crosses paths with Eddie (Eddie Redmayne), an unstable rebel with questionable motives, and Glenda (Blake Lively), a cocaine-snorting drifter on the run. Adapted from the critically acclaimed novel by Andrea Portes, this powerful story pulls you into a provocative world of drugs, seduction and murder.

The Derick Martini-directed film opens theatrically and on VOD on May 11.

MGM Formally Offers Lead Remake of Stephen King’s CARRIE to Chloë Moretz

(Re-posted from Deadline.com)

by Mike Fleming

March 27, 2012

BREAKING: After meeting and reading a group of young actresses for CarrieMGM, Screen Gems and director Kim Peirce have made their decision and made the formal offer today to Chloë Moretz. If negotiations work out, she’ll play the title role in the remake of the Brian De Palma original that was based on the 1974 Stephen King bestseller. She’s expected to play the shy high school student Carrie White, who is raised by a nightmarish religious fanatic mother and comes to grip with devastating telepathic powers just as she reaches puberty. She eventually uses those gifts for lethal means when fellow classmates use the prom as an excuse to humiliate her before the entire school in a parable about bullying. Sissy Spacek played the character in the first movie, with Piper Laurie playing her mother, and Amy Irving, Nancy Allen, John Travolta, Betty Buckley and William Katt rounding out the cast. Both Spacek and Laurie got Oscar nominations for their work in the 1976 film.

The studio and Peirce have been meeting with actresses for the past two weeks. Word all along was that while names like Dakota Fanning were circulating, Peirce and the studio had an eye on Moretz. The studio denied it at the time, but what actually happened is Moretz didn’t meet with Peirce until last weekend. She got the job immediately. Moretz, who first came on with performances in Kick-Ass, (500) Days of Summer and Let Me In, is at the top of the crop of young actresses. Coming off Martin Scorsese’s Hugo, her next major film is the Tim Burton-directed Dark Shadows with Johnny Depp. She’s repped by WME and 3 Arts. Roberto Aguirre-Sacasa wrote the script and Kevin Misher’s producing.

Insiders said that once they make Moretz’s deal, they will focus on landing the psycho mom and supporting cast and they will shoot this year.

New MIRROR MIRROR Images

New images from Tarsem Singh’s upcoming Mirror Mirror have surfaced. Check them out here. The Snow White tale stars Julia Roberts, Lily Collins, Armie Hammer, Nathan Lane, and Sean Bean. It opens nationwide on March 30.

Official Synopsis:

One of the most beloved stories of all time is coming to life in the motion picture event for the whole family, Mirror Mirror. A fresh and funny retelling of the Snow White legend, Mirror Mirror features breakout star Lily Collins (The Blind Side) as Snow White, a princess in exile, and Oscar®-winner Julia Roberts as the evil Queen who ruthlessly rules her captured kingdom. Seven courageous rebel dwarfs join forces with Snow White as she fights to reclaim her birthright and win her Prince in this magical comedy filled with jealousy, romance, and betrayal that will capture the hearts and imaginations of audiences the world over.  The film also stars Armie Hammer (The Social Network) as the Prince and Nathan Lane (The Birdcage) as the hapless and bungling servant to the Queen.

2012 Memo to the Academy

(Re-posted from LimitéMagazine.com)

Dear Academy,

Here we go again. The Super Bowl is over, and now it’s time for the real games to begin. You have a hefty task in front of you—choosing who’s most deserving of that little golden guy. With all the hype and buzz around, it’s easy to get confused. Here’s a little help.

Your friends,

Limité’s film staff

BEST PICTURE

Nominees: The ArtistThe DescendantsExtremely Loud & Incredibly CloseThe HelpHugoMidnight in ParisMoneyballThe Tree of LifeWar Horse

Dan QuitérioHugo. For my money, Hugo is the best-composed film of the year—the imaginative performances, the vivid art direction, the crisp cinematography, the rich story—they all come together to provide the audience with a complex and colorful experience, all the while providing it with a lesson in film history without it feeling like sitting in a stodgy classroom. On top of that, the film provides some of the best use of 3D than any other film in recent memory—a format that surely isn’t going anywhere and was lovingly embraced by a true master of filmmaking in Martin Scorsese. No other film last year—except for maybe Midnight in Paris—has the capability of igniting the imagination quite like Hugo. This film reminds us why the film medium is so special.

Predicted Winner: The Artist

Stephanie DawsonThe Artist. I don’t think any of these films are as amazing or as groundbreaking as nominees in previous years. The Tree of Life is polarizing because of it’s “what?!” factor. Extremely Loud & Incredibly CloseThe Help, and War Horse revel in their emotional manipulation of the audience. Moneyball and Midnight in Paris are better writing achievements than complete films. The story momentum in both Hugo and The Descendants keeps sputtering and the central stories change at least twice in each. The Artist is simple, enjoyable from the first frame, and just the right amount of “sweet,” and so it has my vote, unfortunately by default.

Predicted Winner: The Artist

Janice PerezMidnight in Paris. I haven’t seen anything in a very long time that resonated with me on a very intimate and highly personal level the way Woody Allen’s darling of a film did. Maybe it stems from my being a dedicated Francophile, or probably because that film was a beautiful homage to art. Well, whatever the cause, I loved Midnight in Paris to the hilt for being a film that really brought my own fondest imagination to life.

Predicted Winner: The Artist

Continue reading 2012 Memo to the Academy

Q&A: Team from Oscar-Nominated Film “Time Freak”

(Re-posted from LimitéMagazine.com)

Among this year’s Oscar nominees for Best Short Film—Live Action is “Time Freak,” the comedic story of a neurotic inventor who creates a time machine that he uses to travel around yesterday so that he can obsessively correct his social foibles. The short is the only American film nominated in its category. I had the chance to pick the brains of the film’s masterminds, including writer/director Andrew Bowler, his producer wife Gigi Causey, and lead actor Michael Nathanson, just before their big day in Hollywood.

[youtube http://www.youtube.com/watch?v=-_DLkVR7hK0]

Where were you when you found out about the nomination?

Michael: I actually was sound asleep. My wife is a public school teacher in NYC, and she had been up early and found out at work. When she woke me up by screaming into the answering machine, I knew it was good news.

Andrew: We were at home when we heard the news. We got up at 4:45am, unable to sleep anymore. The telecast did not come on ’til about 5:50am, and then the results were posted online shortly after that. We wanted to share the possible moment with our friends and family in different parts of the country, so we shot it.

(Watch this video of Andrew and Gigi finding out they have been nominated for an Oscar.)

[youtube http://www.youtube.com/watch?v=MnwiOYhIExU&feature=youtu.be]

Continue reading Q&A: Team from Oscar-Nominated Film “Time Freak”

Continued Q&A: Team from Oscar-Nominated Film “Time Freak”

This is the continuation of a Q&A with the team from the Oscar-nominated short film “Time Freak” that I conducted for LimitéMagazine.com. For the first part of my interview with writer/director Andrew Bowler, producer Gigi Causey, and lead actor Michael Nathanson, click here.

Andrew, did you go to film school?

I went to NYU’s film school. I think I had a similar experience to most people who go there in that I met my best friends whom I would collaborate with for years and almost no one else. Geoffrey Richman, Michael McDermott, and Adam Fleischhacker are all accomplished filmmakers in their own right and they all worked really hard on “Time Freak.” The four of us all met in the same video class sophomore year. Geoffrey and Mike were producers [on “Time Freak”], as well as the editor and production designer, respectively.

Michael, how and when did you first catch the acting bug? What have been your biggest challenges in developing your style and rhythm as an actor?

I remember being in my first school play when I was in sixth grade, playing the comedic villain in a Gilbert and Sullivan musical, and getting in front of an audience and thinking, “Wow, this is what I want to do.” I was always a film buff, and I had the opportunity to see so many great films, growing up in NYC. It really wasn’t until I got to Northwestern in Chicago and studied theatre that it really hit me that this is what I’m going to be doing with my life. As an actor, kind of like the character in “Time Freak,” you’re always trying to get better, understand the craft more—sometimes it works and sometimes it doesn’t. I feel like I try, whether it’s stage or screen, to give the audience something edgy, something unexpected. I like when an audience is uncomfortable, and yet wants to know more. I think that’s when the most interesting work happens. There’s a fearlessness I admire in actors like Gary Oldman and in comedians like Bill Murray; they are so invested in their character work, you truly feel like anything can happen at any moment. I guess I would say I’m not into ever playing it safe.

Continue reading Continued Q&A: Team from Oscar-Nominated Film “Time Freak”

Official Trailer: Abraham Lincoln: Vampire Hunter

Official Logline:

President Lincoln’s mother is killed by a supernatural creature, which fuels his passion to crush vampires and their slave-owning helpers.

[youtube http://www.youtube.com/watch?v=34x6m-ahGIo]

2012: The Year of the “Best Picture”

After completing the eight-year odyssey that was my 170 list, I’ve turned my sights to a new list: the Oscar Best Picture winners. To date, I’ve seen 65 of the 83 winners (and I’ve seen all Best Picture nominees since 1998).

As the 84th Academy Award nominations are to be announced later today (8:30am EST/5:30am PST), I’m turning my focus to these immortalized films and I’m giving myself until the 2013 Oscars to complete the list. That said, I’m declaring 2012 “The Year of the ‘Best Picture’.”

Here are the remaining 18 Best Picture winners I have left to watch:

     

     

     

Short Film: “A Trip to the Moon”

Martin Scorsese’s recent film Hugo prominently features pioneering French filmmaker Georges Méliès and his works, chief among them is his 1902 short “A Trip to the Moon” (“Le Voyage dans la lune”). This film has the distinction of being the very first science-fiction film. It follows a small group of astronomers who journey to the moon and discover its inhabitants.

This film features innovative animation and special effects. It was named one of the 100 greatest films of the 20th century (#84) in a Village Voice poll.

[youtube http://www.youtube.com/watch?v=oYRemE9Oeso&ob=av1n]

Review: The Artist

NOTE: This review contains spoilers.

Some time last year, I thought to myself, “Why doesn’t anyone make a silent film today? It would be interesting to see a contemporary filmmaker’s take on early cinema.” And then The Artist came along …

I had been looking forward to seeing The Artist since it screened at Cannes mid-last year. The film follows 1927 silent screen superstar George Valentin (Jean Dujardin) as he holds firmly onto his principles at the expense of his career in the wake of the emergence of “talkies.” Following a chance encounter with one of his fans, Peppy Miller (Bérénice Bejo), who bumps into him (literally), she is immediately bitten by the Hollywood bug. As her acting career takes off in the talking pictures, Valentin’s begins to flounder. It’s the stuff A Star Is Born is made of.

Typically, I’m a sucker for movies about movies, and being a classic film buff, I was excited about the prospects of watching a modern-day silent film set in the ’20s, a pivotal period in early cinema. Having just watched it, I can say that it’s a terrific film. As is the case with any great film, all elements come together to make one great picture—a reminder that the sum should always be greater than its parts. The film, much like its leading man Dujardin, is debonair, classy, and charming. The beautiful black-and-white cinematography by Guillaume Schiffman merges with some dazzling performances by Dujardin, Bejo, and John Goodman (who plays a Cecil B. DeMille-type studio executive).

Continue reading Review: The Artist