Category Archives: Drama

New York Film Festival Review: Inherent Vice

(Re-posted from LimitéMagazine.com)

Joaquin Phoenix in INHERENT VICE

Series: Main Slate (World Premiere, Centerpiece Film)

Movies like this make me feel stupid. I should have known better. Paul Thomas Anderson has made a career on inaccessible, heady, and masturbatory films. No doubt, his work is nothing if not polarizing, but it’s always superbly crafted and will inevitably find its cheerleaders.Inherent Vice is no different. Mind you, it’s not that I don’t have a penchant for deeper, thought-provoking fare. I do. But Anderson has a tendency of dialing it up to eleven. (Before moving forward, I feel compelled to express that I usually make a point never to write reviews in the first person, but with this particular film, I find it difficult writing otherwise, simply because I admit to not understanding what this movie is about, so I’ll tell you how it made me feel.)

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Q&A: Ruben Amar & Lola Bessis, Writers/Directors of SWIM LITTLE FISH SWIM

(Re-posted from LimitéMagazine.com)

by Daniel Quitério

Life in New York City can be hard, especially for young artists on the verge of self-discovery. But with an abounding energy and “magical atmosphere,” as described by French-born filmmakers Ruben Amar and Lola Bessis, it’s, perhaps, the ideal setting for an individual to come of age. Amar’s and Bessis’s feature debut, Swim Little Fish Swim, captures the difficult reality often faced by idealistic artists—striking a balance between an uncompromised art and the economics necessary to survive in an increasingly expensive city.

In Swim Little Fish Swim, the multi-hyphenate filmmakers (Amar and Bessis both wrote, directed, and produced the film; Bessis also stars) tell the story of musician Leeward (Dustin Guy Defa) and his more practical wife, a nurse named Mary (Brooke Bloom). The couple struggles in raising a young child in an unforgiving city, let alone hosting young French artist Lilas (Bessis), who has problems of her own.

Although Amar and Bessis have collaborated on several short films in the past, Swim Little Fish Swim represents new territory for the duo. Coming off a successful festival fun (including a win for Best Film at Gen Art Film Festival and a nomination for the Grand Jury Award at SXSW), the feature opened in New York City’s Cinema Village on September 19, with a limited rollout to follow (including Los Angeles and Chicago on September 26 and Seattle on October 24). I recently had the opportunity to conduct an interview via e-mail with Amar and Bessis, who provided joint responses to questions regarding the film, their collaboration, and their impressions of New York City.

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2014 Fall Film Guide

Ben Affleck in David Fincher’s GONE GIRL

I recently curated and edited Limité‘s 2014 Fall Film Guide. Get a taste below, then click here for the full guide.

Fall is nearly upon us, so we’re turning our sights towards some of the season’s hottest releases—from what are sure to be big budget crowd pleasers (the latest in the Hunger Games and Hobbit franchises), art house favorites (Whiplash, Mr. Turner), and sure-fire Oscar bait (Birdman, Foxcatcher). Mark your calendars for these fall flicks.

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Limité Must-See: Another Earth (2011)

(Re-posted from LimitéMagazine.com)

by Daniel Quitério

Photo courtesy of Fox Searchlight. © 2011. All rights reserved.
This is the one movie from the past three years that I’m still tweeting about. It’s rare these days that a film comes along and etches its mark in your mind quite the way Another Earth did to me. Stitched together using bubble gum and string (and green fabric and googly eyes—really), this super low-budget indie darling launched the careers of star and co-writer Brit Marling (Arbitrage, 2012) and writer/director Mike Cahill (I Origins, 2014). Believing that it would be near impossible for two unknowns to attract funding in order to make their film, Cahill and Marling took matters into their own hands. The two Georgetown alumni shot the film in Southern Connecticut with a tiny crew, ultimately earning it a place in Sundance’s 2011 official selection, where it won a Special Jury Prize and the Alfred P. Sloan Prize, which is awarded to a film that focuses on science or technology as a theme. It was distributed later that year by Fox Searchlight.

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2014 Top 10 Indie Summer Flicks

NOTE: I edited and partly wrote the following feature for LimitéMagazine.com.

(Re-posted from LimitéMagazine.com)

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Keira Knightley and Adam Levine in BEGIN AGAIN
Summer may not officially begin until June 21, but “summer movies” have already begun to make waves at the box office. And while filmgoers succumb to the traditional summer movie fare—including superheroes and sequels, Transformers and talking apes—the indie box office is primed to serve up something different with a bit more depth. This summer, we challenge you to venture beyond the shallow side of the pool and dive into the deep end. Here’s our annual Top 10 list of what you will find there.

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One of the Good Guys: Jefferson Smith and Behind the Scenes of MR. SMITH GOES TO WASHINGTON

There’s Frank Underwood … and then there’s Jefferson Smith. They’re about as opposite as opposites get. With antiheroes dominating pop culture as of late, it’s worth taking a step to the left to appreciate one of the good guys. Smith, portrayed by my favorite actor James Stewart in my favorite film, Mr. Smith Goes to Washington (1939), may be naive, but he’s also pure of heart. It’s his pure intentions and intestinal fortitude that make all the difference when he seeks to make a difference. And he succeeds.

Check out these behind-the-scenes images from Mr. Smith Goes to Washington, featuring Stewart, director Frank Capra, co-stars Jean Arthur and Claude Rains, and more.

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Coming Soon: Transcendence

[youtube http://www.youtube.com/watch?v=VCTen3-B8GU]

Johnny Depp. Rebecca Hall. Paul Bettany. Kata Mara. Morgan Freeman. Cillian Murphy. And above them all, Wally Pfister.

After a terminally ill scientist downloads his mind into a computer, he discovers unimaginable powers. Depp sheds the heavy makeup for this sci-fi action pic, which doesn’t usually bode as well for his films’ box office receipts. However, this time he has Wally Pfister, the Oscar-winning cinematographer behind Christopher Nolan’s films, to guide him in Pfister’s directorial debut. After standing behind the camera for dozens of critical and box office favorites, it should be interesting to see how much of Nolan’s influence—if any—bears on Pfister’s turn in the director’s chair.

Transcendence is slated for an April 18 bow.

A Film of Olympic Proportions

In light of the Olympic Winter Games and TCM’s 31 Days of Oscar, it seems appropriate to draw focus to the classic film Chariots of Fire. Set during the 1924 Olympic Games, one Jewish and one Christian track athlete—both British—compete against each other in this epic story of sportsmanship. Directed by Hugh Hudson, the 1981 film went on to capture four Academy Awards for Best Picture, Best Original Screenplay, Best Costume Design, and its now Olympics-synonymous score. Other nominations were earned for the film’s directing, editing, and supporting performance by Ian Holm.

Transport yourself back to 1924 and the Olympic games and take a listen to this iconic, Oscar-winning score:

[youtube http://www.youtube.com/watch?v=RY3XiM7oGj0]

Noah: A Man and His Boat

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Straight from the fucked-up mind who brought us Pi (1998), Requiem for a Dream (2000), and Black Swan (2010), comes the epic Biblical story (which Biblical stories aren’t epic?) of Noah and his famous ark. Auteur Darren Aronofsky and his mustache take us back to the days when a storm could flood the earth with such apocalyptic might that only a monstrous boat could save a man and his family.

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Russell Crowe and Jennifer Connelly reunite after 2001’s A Beautiful Mind, and along with Emma Watson, Ray Winstone, Anthony Hopkins, and rising star Logan Lerman, their characters will try to defy the impossible in Noah, which is due to surge into theatres this March 28.

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[youtube http://www.youtube.com/watch?v=_OSaJE2rqxU]

Q&A: Lynn Shelton, Writer-Director of TOUCHY FEELY

(Re-posted from LimitéMagazine.com)

Award-winning filmmaker Lynn Shelton had her breakthrough with 2009′s Humpday, a comedic “romp” about a bromance taken to the next level. And aside from the occasional TV gig (directing the “Hands and Knees” episode of Mad Men), the director-writer-producer-editor-actress remains a fixture in today’s independent film scene. Her 2011 release Your Sister’s Sister, starring Emily Blunt and Rosemarie DeWitt, won multiple awards and nominations, including a Gotham Award for its cast and the Directors to Watch Award at the Palm Springs International Film Festival.

The festival darling’s latest release is Touchy Feely, a 2013 Sundance selection that was released this past September and is available on DVD today. Starring an ensemble cast of both veterans and new actors alike, the story focuses on Abby (DeWitt), a masseuse who delves into a depression upon developing an aversion to bodily contact, and her brother Paul (Josh Pais), a rather dull dentist whose practice experiences an overnight surge of interest from new patients. Ellen Page, Scott McNairy, Allison Janney, Ron Livingston, and newcomer Tomo Nakayama round out the cast.

I had the opportunity to speak with the multi-hyphenate filmmaker about her latest film and her process.

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