Nominated for this year’s Academy Award for Best Short Film, Animated, “We Can’t Live Without Cosmos” is a beautiful film about friendship and dreams. This is Russian filmmaker Konstantin Bronzit’s second Oscar nomination in this category; his previous nomination came in 2009 for his animated short “Lavatory Lovestory.”
For the seventh year, we decided to offer you a little help in deciding some of the biggest Oscar races—free of charge. And never has it been as important that we do so than this year, one of the most competitive races in recent memory with no clear frontrunners in many categories. Take it from us, because we’re kinda good at this.
Now that all eight Best Picture Oscar-nominated films have been announced, it’s time to catch up with your screenings before the February 28 ceremony. Here’s a parade of trailers for all Best Picture nominees to get you ready. Check out a complete list of nominees for the 88th Academy Awards here.
Christopher Nolan’s first IMDb credit came for writing, directing, shooting, editing, and set designing his 3-minute short film, “Doodlebug” (1997). The black-and-white, noirish film was made while Nolan (then credited as “Chris”) was studying English literature at university. Its lone performer, Jeremy Theobald, later starred in Nolan’s feature debut, Following (1998), another black-and-white noir just a year later.
It doesn’t take much to notice the early stages of Nolan’s evolving “film mind” in this brief piece. The various levels of reality at play here are fully on display in a greater form in Nolan’s 2010 film, Inception.
I have to say, I’m not David O. Russell’s biggest fan, though he has made some films I admire. Lately, he’s found favor with Jennifer Lawrence, Bradley Cooper, and Robert De Niro (American Hustle, Silver Linings Playbook). So if you’re into that quartet, you’ll want to check out Joy, opening Christmas Day. Based on a true story, Lawrence stars as Joy Mangano, the struggling Long Island entrepreneur mom who invented the Miracle Mop and launched a business empire. Russell wrote the script off a story by Annie Mumolo (Bridesmaids, 2011) and Russell. The film also stars Diane Ladd, Virginia Madsen, and Isabella Rossellini. Check out the trailer below.
How does one of the world’s most dominant religions attempt to reconcile its longstanding troubles when a new film continues to shed light on them? It’s no secret that the Catholic Church has had more than its share of criticisms, from its controversial stances on homosexuality and divorce to its treatment of women. Arguably, the Church’s most pressing concern continues to be its response to the highly publicized sex abuse scandal, initially brought to light by The Boston Globe in January 2002. This journalistic investigation is the subject of Spotlight(2015), the new film from Tom McCarthy (The Station Agent, The Visitor) about the Pulitzer Prize-winning team of journalists that exposed the scandal and the Church’s controversial response. So how will the film impact public perceptions of the Church? In short, it probably won’t.
As the 53rd New York Film Festival wrapped with Closing Night selection Miles Ahead, a bio-drama on “social music” (don’t call it jazz) legend Miles Davis, starring and helmed by Don Cheadle in his directorial debut, it’s time to look back on some of the Festival’s best offerings.
BRIDGE OF SPIES
In Steven Spielberg’s Cold War-era drama, Tom Hanks plays a Brooklyn insurance lawyer who must broker a sensitive prisoner exchange with the USSR. Once again, Spielberg proves he’s at the top of his craft. Hanks turns in a solid performance, but it’s supporting player Mark Rylance who steals his scenes as a Soviet spy with his too-cool-it’s-unnerving performance.
The 23rd edition of the Hamptons International Film Festival launched its five-day run last Thursday with Opening Night selection Truth, the true newsroom drama starring Cate Blanchett and Robert Redford. With a healthy selection of world premieres and Oscar hopefuls (including nine foreign language submissions), the festival is primed to bring some of the world’s best cinema to Long Island. Here’s a small sampling of what’s on the slate.
The Cold War sets the stage for Steven Spielberg’s 29th feature, Bridge of Spies, which had its world premiere Sunday night at the 53rd New York Film Festival. Based on a true story, Tom Hanks plays James Donovan, a Brooklyn insurance lawyer asked to defend Rudolf Abel (played eerily cool by Broadway veteran Mark Rylance), a Soviet spy in a trial that’s more for show than jurisprudence. Hesitantly taking on this role, the one-time criminal attorney Donovan is an Atticus Finch-like model for law as a guiding principle, despite the urgings from his colleagues—including the judge—to not put in full effort in his defense. Abel is a Soviet spy after all. His guilty verdict is a foregone conclusion, but it’s important that the US demonstrate a “fair” trial. Donovan will have none of it. He’s a good lawyer, and he will conduct himself as such, despite the threats set against him and his family.
It’s a good time to be a movie fan in New York. Two of the country’s preeminent film festivals—New York Film Festival and Hamptons International Film Festival—are upon us. The 53rd edition of the New York Film Festival (NYFF) kicks off tonight, September 25, and runs through October 11 at Manhattan’s Lincoln Center. The 23rd edition of Hamptons International Film Festival (HIFF) is next in line with a program running from October 8–12 in Long Island. (I’ve proudly served on the screening committee of HIFF for the past five years.) Given their fall festival dates, both have historically made good on delivering some of that year’s top Oscar contenders, and this year will likely be no different. Here are each festival’s Opening Night, Centerpiece, and Closing Night films. Check out each festival’s website for its full slate of programming. (All film synopses below are courtesy of their respective festivals’ websites.)