HBO has long been at the forefront of quality TV movies. Among this year’s offerings are three based on real people, two of which are based on Tony-winning plays. Each is primed for Emmy consideration.
All the Way
Following up his Oscar-nominated performance in Trumbo and four Emmy wins for portraying Walter White on Breaking Bad, Bryan Cranston reprises his Tony-winning role of LBJ in this TV adaptation of the 2014 Tony-winning Best Play. I caught this Robert Schenkkan-penned play on Broadway—liked it, but didn’t love it. Schenkkan adapted his own work for HBO, so I’m curious to see how he interpreted this story for a different medium.
Logline (courtesy of IMDb): Lyndon B. Johnson becomes the President of the United States in the chaotic aftermath of JFK’s assassination and spends his first year in office fighting to pass the Civil Rights Act.
Director: Jay Roach Screenwriter: Robert Schenkkan Cast: Bryan Cranston, Anthony Mackie, Melissa Leo, Bradley Whitford, Frank Langella Runtime: 132 min.
Written and directed by actor Nate Parker in his feature directorial debut, The Birth of a Nation tells the story of former slave Nat Turner (played by Parker), who leads a liberation movement to free slaves in Virginia in 1831. The film also stars Armie Hammer, Gabrielle Union, and Oscar nominee Jackie Earle Haley.
The Birth of a Nation is this year’s big Sundance hit, winning the Grand Jury Prize and the Audience Award, and notably shattering a sales record at the Festival by selling distribution rights to Fox Searchlight for $17.5 million. With a fall release date of October 7—and with a powerhouse indie distributor in Searchlight, which also released recent Best Picture winners Birdman (2014) and 12 Years a Slave (2013)—it’s bound to ride high through next year’s Oscars. So perhaps #OscarsSoWhite will finally be a thing of the past.
Nominated for this year’s Academy Award for Best Short Film, Animated, “We Can’t Live Without Cosmos” is a beautiful film about friendship and dreams. This is Russian filmmaker Konstantin Bronzit’s second Oscar nomination in this category; his previous nomination came in 2009 for his animated short “Lavatory Lovestory.”
For the seventh year, we decided to offer you a little help in deciding some of the biggest Oscar races—free of charge. And never has it been as important that we do so than this year, one of the most competitive races in recent memory with no clear frontrunners in many categories. Take it from us, because we’re kinda good at this.
Now that all eight Best Picture Oscar-nominated films have been announced, it’s time to catch up with your screenings before the February 28 ceremony. Here’s a parade of trailers for all Best Picture nominees to get you ready. Check out a complete list of nominees for the 88th Academy Awards here.
Christopher Nolan’s first IMDb credit came for writing, directing, shooting, editing, and set designing his 3-minute short film, “Doodlebug” (1997). The black-and-white, noirish film was made while Nolan (then credited as “Chris”) was studying English literature at university. Its lone performer, Jeremy Theobald, later starred in Nolan’s feature debut, Following (1998), another black-and-white noir just a year later.
It doesn’t take much to notice the early stages of Nolan’s evolving “film mind” in this brief piece. The various levels of reality at play here are fully on display in a greater form in Nolan’s 2010 film, Inception.
I have to say, I’m not David O. Russell’s biggest fan, though he has made some films I admire. Lately, he’s found favor with Jennifer Lawrence, Bradley Cooper, and Robert De Niro (American Hustle, Silver Linings Playbook). So if you’re into that quartet, you’ll want to check out Joy, opening Christmas Day. Based on a true story, Lawrence stars as Joy Mangano, the struggling Long Island entrepreneur mom who invented the Miracle Mop and launched a business empire. Russell wrote the script off a story by Annie Mumolo (Bridesmaids, 2011) and Russell. The film also stars Diane Ladd, Virginia Madsen, and Isabella Rossellini. Check out the trailer below.
How does one of the world’s most dominant religions attempt to reconcile its longstanding troubles when a new film continues to shed light on them? It’s no secret that the Catholic Church has had more than its share of criticisms, from its controversial stances on homosexuality and divorce to its treatment of women. Arguably, the Church’s most pressing concern continues to be its response to the highly publicized sex abuse scandal, initially brought to light by The Boston Globe in January 2002. This journalistic investigation is the subject of Spotlight(2015), the new film from Tom McCarthy (The Station Agent, The Visitor) about the Pulitzer Prize-winning team of journalists that exposed the scandal and the Church’s controversial response. So how will the film impact public perceptions of the Church? In short, it probably won’t.
As the 53rd New York Film Festival wrapped with Closing Night selection Miles Ahead, a bio-drama on “social music” (don’t call it jazz) legend Miles Davis, starring and helmed by Don Cheadle in his directorial debut, it’s time to look back on some of the Festival’s best offerings.
BRIDGE OF SPIES
In Steven Spielberg’s Cold War-era drama, Tom Hanks plays a Brooklyn insurance lawyer who must broker a sensitive prisoner exchange with the USSR. Once again, Spielberg proves he’s at the top of his craft. Hanks turns in a solid performance, but it’s supporting player Mark Rylance who steals his scenes as a Soviet spy with his too-cool-it’s-unnerving performance.
The 23rd edition of the Hamptons International Film Festival launched its five-day run last Thursday with Opening Night selection Truth, the true newsroom drama starring Cate Blanchett and Robert Redford. With a healthy selection of world premieres and Oscar hopefuls (including nine foreign language submissions), the festival is primed to bring some of the world’s best cinema to Long Island. Here’s a small sampling of what’s on the slate.