2016 Memo to the Academy

(Re-posted from LimitéMagazine.com)


Dear Academy,

For the seventh year, we decided to offer you a little help in deciding some of the biggest Oscar races—free of charge. And never has it been as important that we do so than this year, one of the most competitive races in recent memory with no clear frontrunners in many categories. Take it from us, because we’re kinda good at this.

Your friends at Limité,
Dan Quitério & Drew Stelter


Nominees: The Big Short, Bridge of Spies, Brooklyn, Mad Max: Fury Road, The Martian, The Revenant, Room, Spotlight

Who Should Win:

DanThe Revenant. This is a three-way race between The Revenant,Spotlight, and The Big Short. But The Revenant, with its field-leading 12 nominations, deserves the edge because of its vision, its scope, and its mastery and complexity in both above-the-line (directing, acting, writing) and below-the-line (production design, makeup/hairstyling, visual effects, etc.) categories.

DrewThe Revenant. Following a notoriously troubled shoot full of dueling personalities, unpredictable weather, and last-minute location changes, the fact that this film is even in the discussion is, in itself, a miracle. Its power lies in its story, that of a father and his eternal love for his son, that pulls at the heartstrings of filmgoers. Its reverence, its moral ambiguity, and its spiritual center, accompanied by raw, powerful visuals, offer what no other Best Picture nominee can offer this year: the definition of a cinematic experience. This film is destined to become a classic.

Who Will Win:

DanThe Revenant
DrewThe Revenant



Nominees: Lenny Abrahamson (Room), Alejandro G. Iñárritu (The Revenant), Tom McCarthy (Spotlight), Adam McKay (The Big Short), George Miller (Mad Max: Fury Road)

Who Should Win:


Dan – Alejandro G. Iñárritu (with George Miller as a close second). Both Iñárritu and Miller display immense vision in their respective pieces, but it’s Iñárritu’s never-say-die attitude and visceral style of filmmaking (despite the controversy over the making of his film) that should earn him his second straight trip to the podium (he’d be the third to earn it).

Drew – Alejandro G. Iñárritu. For pulling together a massively impressive film, one that found itself in constant danger of falling apart at any moment, with the heart and center of the story not only unscathed but beaming magnificently, Iñárritu deserves a rare second consecutive Best Director win.

Who Will Win:

Dan – Alejandro G. Iñárritu (The Revenant)
Drew – Alejandro G. Iñárritu (The Revenant)



Nominees: Bryan Cranston (Trumbo), Matt Damon (The Martian), Leonardo DiCaprio (The Revenant), Michael Fassbender (Steve Jobs), Eddie Redmayne (The Danish Girl)

Who Should Win:


Dan – Leonardo DiCaprio (with Eddie Redmayne on his tail). These two performances were the most stunning lead performances last year, in my opinion—and they couldn’t be more different. DiCaprio turns in a physical, “rustic” performance, while Redmayne’s is fragile and nuanced. DiCaprio’s is one of the finest of his career, and the fact that he was able to do what he did while under those well-noted, grueling conditions is remarkable.

Drew – Leonardo DiCaprio. After being snubbed for nominations forTitanic and Revolutionary Road, after losing the Oscar four previous times, after paying his dues and working twice as hard as nearly anyone else of his acting generation, DiCaprio has proven himself worthy of the coronation that awaits him. More importantly, his performance was, indeed, the best performance (male or female) of the entire year.

Who Will Win:

Dan – Leonardo DiCaprio (The Revenant)
Drew – Leonardo DiCaprio (The Revenant)



Nominees: Cate Blanchett (Carol), Brie Larson (Room), Jennifer Lawrence (Joy), Charlotte Rampling (45 Years), Saoirse Ronan (Brooklyn)

Who Should Win:

Brie Larson

Dan – Brie Larson. Larson has been turning in solid, under-the-radar performances for quite some time, so it’s good to see her finally breaking out and earning due recognition. In Room, she captures the part of an abused woman trapped with her son with emotion, with truth, and with an inner strength not easily accomplished by many actors.


Drew – Saoirse Ronan. In an unconventional Best Actress performance, Ronan doesn’t blow you away with a particularly showy scene or role. Rather, she infuses her humble character with an anxious, subtle, childlike wonder in an affecting performance that sticks in the mind for days—a feat worthy of more attention than she is receiving. With her performance in Brooklyn, Ronan proves that her Best Supporting Actress nomination for Atonement at age 13 was a foreshadowing, not a fluke.

Who Will Win:

Dan – Brie Larson (Room)
Drew – Brie Larson (Room)



Nominees: Christian Bale (The Big Short), Tom Hardy (The Revenant), Mark Ruffalo (Spotlight), Mark Rylance (Bridge of Spies), Sylvester Stallone (Creed)

Who Should Win:


Dan – Mark Rylance (or Christian Bale or Tom Hardy). Oh boy, what a difficult category. Some of the best performances last year were in the supporting ranks, and fortunately, many of them are nominated here. I give Rylance the slight edge in deservedness because of the brilliance he displays with as few words as possible. It’s harder to act with a look—or in Rylance’s case, an aura—than with words. He steals every one of his scenes with minimal dialogue and action, and that’s not easy to do.

Drew – Tom Hardy. Hardy depicts cinema’s newest entry into its canon of most despised movie villains with not a hint of heart or salvation, simultaneously feeding—and feeding off of—Leonardo DiCaprio’s lead performance in a spectacular, magnetic portrayal of dueling destinies. Coupled with two other impressive performances this year—in Mad Max: Fury Road and Legend—Hardy ought to be able to take this award easily.

Who Will Win:

Dan – Sylvester Stallone (Creed)
Drew – Sylvester Stallone (Creed)



Nominees: Jennifer Jason Leigh (The Hateful Eight), Rachel McAdams (Spotlight), Rooney Mara (Carol), Alicia Vikander (The Danish Girl), Kate Winslet (Steve Jobs)

Who Should Win:


Dan – Alicia Vikander. First off, it’s a travesty that a character that has as much screen time and as much influence in the direction of the plot as Vikander’s is relegated to the supporting category. Vikander is a lead in The Danish Girl. Period. This shameless campaigning for a supporting nomination (or vice versa) because it might be “easier” to win has been going on for years (another prime example is Hailee Steinfeld in True Grit), and there has to be some regulation put in place to correct it. (Interestingly, one key example of a supporting performance made lead for the sake of winning an Oscar came from Vikander’s primary competition here, Kate Winslet in The Reader, despite being absent from the 2008 film for a gaping portion. Spoiler alert: she won.) But I digress. Of these five performances—whether supporting or lead—Vikander’s is subtle, heart wrenching, and restrained. For that, she deserves the win.

Rooney Mara

Drew – Rooney Mara. Delivering what is perhaps the year’s most subdued performance, Mara does more with her facial expressions than most actors do with entire soliloquies of dialogue. The painful heartache in her wide eyes, pervasive throughout the film, is a welcome tease that only leaves you wanting more from her enigmatic and clearly conflicted character. What a treat she gave moviegoers this year!

Who Will Win:

Dan – Alicia Vikander (The Danish Girl)
Drew – Alicia Vikander (The Danish Girl)



Nominees: Matt Charman/Ethan Coen/Joel Coen (Bridge of Spies), Alex Garland (Ex Machina), Pete Docter/Meg LeFauve/Josh Cooley/Ronnie del Carmen (Inside Out), Josh Singer/Tom McCarthy (Spotlight), Jonathan Herman/Andrea Berloff/S. Leigh Savidge/Alan Wenkus (Straight Outta Compton)

Who Should Win:

Dan – Pete Docter/Meg LeFauve/Josh Cooley/Ronnie del Carmen (Inside Out). As of this writing, I have not yet seen Ex Machina andStraight Outta Compton, but of the remaining three, Inside Out packs the greatest emotional punch (for which Pixar is famous) and is the one that most prominently puts the “Original” in Best Original Screenplay. Understandably, this award is not necessarily meant to honor the mostoriginal story, so long as it wasn’t adapted from source material. Still, the genius brain trust that came up with this gem should be honored for doing its “Pixar thing”: appealing to both kids and grownups with both comedy and drama, and with a whole lot of sniffling in the audience. (And, by the way, let’s throw in a high-concept narrative and a colorful character named Bing Bong that breaks your heart.) Pixar writers are the hardest working in the business.

Drew – Josh Singer/Tom McCarthy (Spotlight). For bringing to light a complicated, sensitive, true story with the correct perspective, tone, and clarity, Spotlight deserves this award much as the original Spotlight team of The Boston Globe deserved its 2003 Pulitzer Prize for its investigative coverage detailing the mass-scale cover-ups of child sexual abuse in the Catholic Church.

Who Will Win: 

Dan – Josh Singer/Tom McCarthy (Spotlight)
Drew – Josh Singer/Tom McCarthy (Spotlight)



Nominees: Charles Randolph/Adam McKay (The Big Short), Nick Hornby (Brooklyn), Phyllis Nagy (Carol), Drew Goddard (The Martian), Emma Donoghue (Room)

Who Should Win:

Dan – Nick Hornby (Brooklyn). Brooklyn’s is a rather simple screenplay. It’s not filled with bells and whistles. It doesn’t make the loudest noise. (Those distinctions belong to The Big Short and The Martian.) However, by the end of the film I found myself thinking, “You know, the screenwriting techniques are tried and true and unoriginal, but they’re so measured and serve the story quite well,” so I give Brooklynmy thumbs up.

Drew – Nick Hornby (Brooklyn). For its nuanced portrayal of a young woman’s intercontinental journey through culture clashes, emerging self-awareness, budding love, and conflicting emotions, Brooklynsuccessfully delivers a nostalgic, tonally perfect story that all filmgoers—men and women—can relate to and enjoy.

Who Will Win:

Dan – Charles Randolph/Adam McKay (The Big Short)
Drew – Charles Randolph/Adam McKay (The Big Short)

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