Nearly three years ago, I was offered the opportunity to interview Portuguese filmmaker Miguel Gomes about his new film, Tabu. As a Portuguese film buff and sometimes filmmaker, myself, I leaped at the chance. Now, Gomes has been making waves with his new three-part film, Arabian Nights, ever since its world premiere this past May at the Cannes Film Festival. The 381-minute epic will bow to US audiences beginning September 30 at the New York Film Festival. But before that happens, I thought it would be a good idea to reflect on my interview with him from December 2012.
Julianne Moore’s performance in Still Alice earned her an Oscar, but that wasn’t the only movie she starred in last year that got critics talking. Her “other” movie, Maps to the Stars, earned her the Best Actress award at the 2014 Cannes Film Festival and a Golden Globe nomination for her lead performance in the comedy/musical category (she was double nominated in both leading categories and won in the drama race for Alice). Maps to the Stars is currently on Cinemax.
Synopsis (courtesy of IMDb):
A tour into the heart of a Hollywood family chasing celebrity, one another, and the relentless ghosts of their pasts.
Director:David Cronenberg Screenwriter:Bruce Wagner Cast: Julianne Moore, Mia Wasikowska, Robert Pattinson, John Cusack Distributor: Focus World Runtime: 111 min.
Ahead of its World Premiere at this year’s Toronto International Film Festival (TIFF) in September, new images from Trumbo have been released. Following a new course of direction, Jay Roach (Austin Powers and Meet the Parents films) directs this dramatic biopic of blacklisted Hollywood screenwriter Dalton Trumbo, starring Bryan Cranston in the title role. (Roach will also direct Cranston in another biopic, All the Way, in which the Breaking Bad star will reprise his Tony-winning role of US President Lyndon B. Johnson.)
Crew defections, brutal cold, a global search for snow and even a naked actor dragged on the ground — ‘Birdman’ director Alejandro G. Inarritu responds to critics of his ambitious methods: “When you see the film, you will see the scale of it. And you will say, ‘Wow.'”
A version of this story first appeared in the July 31 issue of The Hollywood Reporter magazine.
Veteran crewmembers who have toiled on director Alejandro G. Inarritu’s The Revenant say the director’s follow-up to Birdman could turn out to be epic and Oscar-worthy. Some also say that making the film has been by far the worst experience of their careers — “a living hell,” as one bluntly puts it.
Starring Leonardo DiCaprio as early 19th century explorer Hugh Glass, Revenant went into production in September and was supposed to wrap in March. But cameras still will be rolling into August as the budget has climbed well past $95 million, with insiders predicting it will reach or exceed $135 million. Crewmembers say they have seen huge turnover, including many who were fired and others who quit. They say the behind-the-scenes drama led Inarritu to bar producer Jim Skotchdopole, who worked with him on Birdman, from the set.
There were several notable snubs when this year’s Oscar nominations were revealed back in January. Among them was Jake Gyllenhaal, who turned in a career-high performance in the dark, gritty, and disturbing—and, oh so fantastic—Nightcrawler. The long-talented actor took his lumps, but he’s primed to take another shot with Southpaw, directed by Antoine Fuqua (Training Day, 2001) and written by Kurt Sutter (TV’s Sons of Anarchy)
Gyllenhaal stars as Billy Hope, a boxer who struggles to keep his life together following a devastating incident. Based on the official trailer, which was released today, it appears that Gyllenhaal leaves nothing on the mat, delivering a complex and emotional interpretation of his character. And considering his physical transformation and The Weinstein Company as distributor, the film looks to be a contender come Oscar season. Southpaw also stars Rita Ora, Naomie Harris, Forest Whitaker, 50 Cent, and Rachel McAdams (in a long overdue good role, though it doesn’t appear she lasts long in the film). The film will bow on July 31.
When I heard that a lost Hitchcock film was found, I knew I had to learn more, even if it were a doc, perhaps unlike anything he had previously made. As a huge Hitch fan, I’m looking forward to learning more about the film that researchers only recently uncovered.
Synopsis (courtesy of IMDb):
Researchers discover film footage from World War II that turns out to be a lost documentary shot by Alfred Hitchcock and Sidney Bernstein in 1945 about German concentration camps.
Director: André Singer Screenwriter: Lynette Singer Cast: Helena Bonham Carter (narrator), Alfred Hitchcock, Sidney Bernstein Distributor: HBO Documentary Films Runtime: 75 min.
Breathe deep. Following lackluster box office numbers of late, 2015 is aiming to usher in a wealth of cinematic riches with an onslaught of proven tentpoles. Such films scheduled with 2015 release dates includeFurious 7, Avengers: Age of Ultron, Pitch Perfect 2, Jurassic World,Ted 2, Spectre (“Bond 24”), <exhale> The Hunger Games: Mockingjay – Part 2, Star Wars: Episode VII – The Force Awakens, and Mission: Impossible 5 <exhale>. But in case that’s not enough to quench your appetite, there’s Peanuts coming in November. That doesn’t hit your sweet spot? Fifty Shades of Grey bows in February.
Each of Limité’s Film writers presents 10 of her or his most-anticipated films of 2015. Check out their picks, then tell us what you’re looking forward to seeing in the new year.
All synopses are courtesy of IMDb.com, unless otherwise noted. As films are in various stages of production, information is subject to change, including release dates.
This year, Oscar’s always-a-bridesmaid, Julianne Moore, goes for her fifth nomination. And among all of this year’s leading ladies, Moore seems to be a lock for her first—and much overdo—win. In fact, hers is one of the few categories that’s nearly a sure thing at this stage of the Oscar season. (Let’s hope I didn’t just jinx it.)
Playing a linguistics professor with early-onset Alzheimer’s, Moore’s performance in Still Aliceis ripe for awards consideration, and, indeed, it has received several positive notices and recognition. Among her accolades, Moore has already won Best Actress from the Gotham Awards and National Board of Review, among others, and she counts a Golden Globe nomination (two, actually—the other for Maps to the Stars) and SAG Award nomination among her accolades.
Still Alice also stars Alec Baldwin, Kristen Stewart, and Kate Bosworth, and opens January 16. Oscar nominations will be announced the morning of January 15.
Directed by Oscar-winning Danish filmmaker Susanne Bier (In a Better World, 2010), Serena reunites Silver Linings Playbook players Jennifer Lawrence and Bradley Cooper.
Synopsis: North Carolina mountains at the end of the 1920s–George (Cooper) and Serena Pemberton (Lawrence), love-struck newly-weds, begin to build a timber empire. Serena soon proves herself to be equal to any man: overseeing loggers, hunting rattle snakes, even saving a man’s life in the wilderness. With power and influence now in their hands, the Pembertons refuse to let anyone stand in the way of their inflated love and ambitions. However, once Serena discovers George’s hidden past and faces an unchangeable fate of her own, the Pembertons’ passionate marriage begins to unravel, leading toward a dramatic reckoning.
Magnolia Pictures will release Serena on iTunes and VOD on February 26, and in theatres on March 27.
Series: Main Slate (World Premiere, Centerpiece Film)
Movies like this make me feel stupid. I should have known better. Paul Thomas Anderson has made a career on inaccessible, heady, and masturbatory films. No doubt, his work is nothing if not polarizing, but it’s always superbly crafted and will inevitably find its cheerleaders.Inherent Vice is no different. Mind you, it’s not that I don’t have a penchant for deeper, thought-provoking fare. I do. But Anderson has a tendency of dialing it up to eleven. (Before moving forward, I feel compelled to express that I usually make a point never to write reviews in the first person, but with this particular film, I find it difficult writing otherwise, simply because I admit to not understanding what this movie is about, so I’ll tell you how it made me feel.)