Category Archives: Actors

Fandango Survey Unmasks THE AVENGERS As the Most Anticipated Movie of the Summer

Fandango, the nation’s leading moviegoer destination, revealed the results of its “Most Anticipated Summer Movie Survey,” in which Marvel’s The Avengers grabbed the top spot among all films picked by both men and women. The poll—which surveyed thousands of moviegoers on their must-see list for the biggest movie season of the year—also revealed that this may be a huge summer for Australian newcomer Chris Hemsworth, who stars in two of the summer’s most anticipated releases.

Male and female moviegoers offer a decidedly different perspective on the can’t-miss films of the summer. While women gravitated to the revisionist Kristen Stewart fairy tale drama Snow White and the Huntsman, men stuck to their guns with action adventures like The Avengers and The Dark Knight Rises, which ranked number one and two on the most anticipated summer movie list.

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2012 Faces to Watch

(Re-posted from Limité

April 2, 2012

Committed to its mission to seek and promote tomorrow’s trending topics, Limité Magazine is thrilled to announce its fourth-annual “Faces to Watch” list. The feature focuses on select up-and-coming personalities in various facets of culture and lifestyle. After much consideration, 10 names were chosen for this year’s list. They were selected based on their potential to make a significant impact on their disciplines—in short, these are the names we’ll be talking about tomorrow.

Demián Bichir

by Morgan Goldin

When the 2012 Academy Award nominees for Best Actor were being announced, one nomination came as a surprise to audiences and industry insiders alike. Alongside uber-famous Hollywood actors George Clooney and Brad Pitt, there was Jean Dujardin (who eventually won the category), unknown to most Americans but recognized for his work in the popular The Artist, and Demián Bichir, for his role in A Better Life. Bichir’s sensitive and soulful portrayal of an undocumented migrant worker was powerful enough to make the Academy take notice, despite the indie feature going largely unseen by moviegoers. However, to Hispanic audiences, this was an actor finally getting his due.

Bichir was born in Mexico City on August 1, 1963. He started his acting career in telenovelas, with productions filmed in Mexico, the United States, and Spain. He took a break from his television acting to focus on a movie career. His movie Sexo, pudor y lagrimas (1999) was a massive box office smash, breaking all kinds of records to win the accolade of being the number one film in all of Mexican cinema. His role earned him an Ariel, a Mexican version of the Academy Award. The film In the Time of Butterflies (2001) was Bichir’s American debut, in which he co-starred with Salma Hayek. He garnered other roles in American film and television productions, playing a major role as Esteban Reyes on the hit Showtime show Weeds, as well as portraying Fidel Castro for Steven Soderbergh’s Che (2008). However, with his role as Carlos Galindo in A Better Life, Bichir, only the second Mexican actor to be nominated for a Best Actor Oscar (after Anthony Quinn), will hopefully be a name that more American audiences recognize. And here’s a fun fact: he was the singing voice of Aladdin in the Spanish dub version of the 1992 Disney classic.

Bichir can next be seen in Oliver Stone’s 2012 release Savages, which also stars John Travolta, Blake Lively, Uma Thurman, Benicio Del Toro, and his Butterflies co-star Salma Hayek.

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MGM Formally Offers Lead Remake of Stephen King’s CARRIE to Chloë Moretz

(Re-posted from

by Mike Fleming

March 27, 2012

BREAKING: After meeting and reading a group of young actresses for CarrieMGM, Screen Gems and director Kim Peirce have made their decision and made the formal offer today to Chloë Moretz. If negotiations work out, she’ll play the title role in the remake of the Brian De Palma original that was based on the 1974 Stephen King bestseller. She’s expected to play the shy high school student Carrie White, who is raised by a nightmarish religious fanatic mother and comes to grip with devastating telepathic powers just as she reaches puberty. She eventually uses those gifts for lethal means when fellow classmates use the prom as an excuse to humiliate her before the entire school in a parable about bullying. Sissy Spacek played the character in the first movie, with Piper Laurie playing her mother, and Amy Irving, Nancy Allen, John Travolta, Betty Buckley and William Katt rounding out the cast. Both Spacek and Laurie got Oscar nominations for their work in the 1976 film.

The studio and Peirce have been meeting with actresses for the past two weeks. Word all along was that while names like Dakota Fanning were circulating, Peirce and the studio had an eye on Moretz. The studio denied it at the time, but what actually happened is Moretz didn’t meet with Peirce until last weekend. She got the job immediately. Moretz, who first came on with performances in Kick-Ass, (500) Days of Summer and Let Me In, is at the top of the crop of young actresses. Coming off Martin Scorsese’s Hugo, her next major film is the Tim Burton-directed Dark Shadows with Johnny Depp. She’s repped by WME and 3 Arts. Roberto Aguirre-Sacasa wrote the script and Kevin Misher’s producing.

Insiders said that once they make Moretz’s deal, they will focus on landing the psycho mom and supporting cast and they will shoot this year.

Men We Love: Michael Fassbender

(Re-posted from Limité

by Saidah Russell
March 4, 2012

The end of the Oscars marks the end of another awards season filled with its share of victories, as well as disappointments—perhaps none more bitter (depending on whether you’re camp Davis or Streep) than the snubbing of Michael Fassbender for his devastating and shockingly vulnerable portrayal of long-suffering sex addict Brandon Sullivan in ShameFor those of you who have only recently become aware of the actor, well, let’s just say there’s a lot to learn. Last year was certainly a breakout year for Fassbender with the release of four films (Jane Eyre, X-Men: First Class, A Dangerous Method, and Shame), a feature in GQ as the magazine’s pick for Breakout Man of the Year, and a Golden Globe nomination. Though he didn’t win the award, the nomination and subsequent publicity have done much to garner Fassbender some well-deserved attention. But, unfortunately, there are still those among us—those non-believers—who may need some convincing. So whether you’re reading this for validation or proof of the wonder that is Michael Fassbender, here are a few reasons why we love him and why you should, too.

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2012 Memo to the Academy

(Re-posted from Limité

Dear Academy,

Here we go again. The Super Bowl is over, and now it’s time for the real games to begin. You have a hefty task in front of you—choosing who’s most deserving of that little golden guy. With all the hype and buzz around, it’s easy to get confused. Here’s a little help.

Your friends,

Limité’s film staff


Nominees: The ArtistThe DescendantsExtremely Loud & Incredibly CloseThe HelpHugoMidnight in ParisMoneyballThe Tree of LifeWar Horse

Dan QuitérioHugo. For my money, Hugo is the best-composed film of the year—the imaginative performances, the vivid art direction, the crisp cinematography, the rich story—they all come together to provide the audience with a complex and colorful experience, all the while providing it with a lesson in film history without it feeling like sitting in a stodgy classroom. On top of that, the film provides some of the best use of 3D than any other film in recent memory—a format that surely isn’t going anywhere and was lovingly embraced by a true master of filmmaking in Martin Scorsese. No other film last year—except for maybe Midnight in Paris—has the capability of igniting the imagination quite like Hugo. This film reminds us why the film medium is so special.

Predicted Winner: The Artist

Stephanie DawsonThe Artist. I don’t think any of these films are as amazing or as groundbreaking as nominees in previous years. The Tree of Life is polarizing because of it’s “what?!” factor. Extremely Loud & Incredibly CloseThe Help, and War Horse revel in their emotional manipulation of the audience. Moneyball and Midnight in Paris are better writing achievements than complete films. The story momentum in both Hugo and The Descendants keeps sputtering and the central stories change at least twice in each. The Artist is simple, enjoyable from the first frame, and just the right amount of “sweet,” and so it has my vote, unfortunately by default.

Predicted Winner: The Artist

Janice PerezMidnight in Paris. I haven’t seen anything in a very long time that resonated with me on a very intimate and highly personal level the way Woody Allen’s darling of a film did. Maybe it stems from my being a dedicated Francophile, or probably because that film was a beautiful homage to art. Well, whatever the cause, I loved Midnight in Paris to the hilt for being a film that really brought my own fondest imagination to life.

Predicted Winner: The Artist

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Q&A: Team from Oscar-Nominated Film “Time Freak”

(Re-posted from Limité

Among this year’s Oscar nominees for Best Short Film—Live Action is “Time Freak,” the comedic story of a neurotic inventor who creates a time machine that he uses to travel around yesterday so that he can obsessively correct his social foibles. The short is the only American film nominated in its category. I had the chance to pick the brains of the film’s masterminds, including writer/director Andrew Bowler, his producer wife Gigi Causey, and lead actor Michael Nathanson, just before their big day in Hollywood.


Where were you when you found out about the nomination?

Michael: I actually was sound asleep. My wife is a public school teacher in NYC, and she had been up early and found out at work. When she woke me up by screaming into the answering machine, I knew it was good news.

Andrew: We were at home when we heard the news. We got up at 4:45am, unable to sleep anymore. The telecast did not come on ’til about 5:50am, and then the results were posted online shortly after that. We wanted to share the possible moment with our friends and family in different parts of the country, so we shot it.

(Watch this video of Andrew and Gigi finding out they have been nominated for an Oscar.)


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Continued Q&A: Team from Oscar-Nominated Film “Time Freak”

This is the continuation of a Q&A with the team from the Oscar-nominated short film “Time Freak” that I conducted for Limité For the first part of my interview with writer/director Andrew Bowler, producer Gigi Causey, and lead actor Michael Nathanson, click here.

Andrew, did you go to film school?

I went to NYU’s film school. I think I had a similar experience to most people who go there in that I met my best friends whom I would collaborate with for years and almost no one else. Geoffrey Richman, Michael McDermott, and Adam Fleischhacker are all accomplished filmmakers in their own right and they all worked really hard on “Time Freak.” The four of us all met in the same video class sophomore year. Geoffrey and Mike were producers [on “Time Freak”], as well as the editor and production designer, respectively.

Michael, how and when did you first catch the acting bug? What have been your biggest challenges in developing your style and rhythm as an actor?

I remember being in my first school play when I was in sixth grade, playing the comedic villain in a Gilbert and Sullivan musical, and getting in front of an audience and thinking, “Wow, this is what I want to do.” I was always a film buff, and I had the opportunity to see so many great films, growing up in NYC. It really wasn’t until I got to Northwestern in Chicago and studied theatre that it really hit me that this is what I’m going to be doing with my life. As an actor, kind of like the character in “Time Freak,” you’re always trying to get better, understand the craft more—sometimes it works and sometimes it doesn’t. I feel like I try, whether it’s stage or screen, to give the audience something edgy, something unexpected. I like when an audience is uncomfortable, and yet wants to know more. I think that’s when the most interesting work happens. There’s a fearlessness I admire in actors like Gary Oldman and in comedians like Bill Murray; they are so invested in their character work, you truly feel like anything can happen at any moment. I guess I would say I’m not into ever playing it safe.

Continue reading Continued Q&A: Team from Oscar-Nominated Film “Time Freak”

Women We Love: Viola Davis

(Re-posted from Limité

by Janice Y. Perez
February 14, 2012

With barely two weeks left for the 84th annual Academy Awards and with the surprising outcomes of other recent film awards, bloggers, aficionados, and Oscarologists have this one escalating conundrum: Meryl Streep (in The Iron Lady) or Viola Davis (in The Help)?

Though the rest of this year’s Best Actress category has a slew of strong and solid performers (Glenn Close in Albert Nobbs, Rooney Mara in The Girl with the Dragon Tattoo, and Michelle Williams in My Week with Marilyn), it’s undeniable that the focus has been solely on Streep and Davis, whose respective portrayals of the last century’s most polarizing female political figure and a docile—but headstrong—maid in 1960s Mississippi have thwarted the two in what appears to be the most thrilling Best Actress race the Academy has seen in a long time.

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5 Reasons This Year’s Oscars Are Worth Watching

It’s close. It’s so close. I can taste it. And it tastes awesome. The 84th annual Academy Awards is less than two weeks away. Take my birthday. Take Christmas. Give me the Oscars and remain silent during the show. I must not be disturbed. If you want to know my thoughts, follow me on Twitter (@suddenlydog), as I’ll be live tweeting for my third year.

There’s always plenty to get excited about each year, but here are my top five reasons the Oscars are worth watching this year:

5. A Pig and a Frog Walk into a Bar …

Though nothing has been confirmed, the prospects of Muppets appearing at the Oscars is enough to get me excited. “Man or Muppet” from The Muppets is nominated for Best Original Song. It would be a hugely missed opportunity if the Jim Henson creations of my youth didn’t appear on stage for the number (that is, assuming the songs are performed on stage this year—there’s only two, so why not?). And don’t forget—Miss Piggy is a fashionista. Could she be strolling the red carpet? Joan Rivers did leave some shoes to fill. I think our porcine friend could cram her hooves in them with little effort.

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84th Annual Academy Award Nominations & Analysis

The 84th annual Academy Award nominations were announced today. Here is the complete list of nominees and my analysis along the way. Stay tuned for the Oscars on Sunday, February 26.

Best Picture

The Artist – Following its PGA win, this film is primed to win the big prize on February 26.

The Descendants – I’m not surprised by this nomination, though I don’t think the film is deserving of it. It’s a flawed film, but AMPAS likes Alexander Payne.

Extremely Loud & Incredibly Close – This is one of two surprise nominees in this category and the only one I have not yet seen.

The Help

Hugo – If it were up to me, this would win Best Picture. In my opinion, it’s the strongest and best-composed of the nine nominated films.

Midnight in Paris

Moneyball – Overall, a terrific film and deserving of this honor.

The Tree of Life – This is the second surprise nominee in this category. Arguably the most polarizing film of the year, don’t expect Tree to win here.

War Horse – Spielberg gets a Best Picture nomination, but is snubbed for Best Director. This doesn’t bode well for War Horse‘s chances.

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