2012 Young Hollywood — Part 2: The Actors

(Re-posted from LimitéMagazine.com)

Last week, we unveiled Limité‘s 2012 class of Young Hollywood filmmakers—seven talented directors under the age of 40. The importance of a director can never be understated; however, it’s the actors who bring the story’s characters to life. Actors are more than just pretty faces who stand in front of a camera and recite lines. The best of them are able to emote and embody their characters. They dig beneath the skin to explore the core of each character, and what results (hopefully) is a transformation.

For Part 2 of our Young Hollywood feature, we highlight 10 talented actors aged 30 and under who we believe will be the faces of their industry for years to come.

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2012 Young Hollywood — Part 1: The Filmmakers

(Re-posted from LimitéMagazine.com)

For our third year, Limité presents our annual, two-part “Young Hollywood” feature. Mixing a combination of established and up-and-coming filmmakers under the age of 40 (Part 1) and actors under the age of 30 (Part 2), we seek to highlight some of Hollywood’s freshest talent.

In Part 1, we focus on the filmmakers. This list includes both male and female talents who are creating exciting works that, at times, push the boundaries of traditional Hollywood. This year’s class includes one-third of a female writing collective known as the “Fempire,” as well as the director behind one of 2012′s biggest little films: the festival darling and Oscar favorite, Beasts of the Southern Wild.

Check out Part 2: The Actors here.

Continue reading 2012 Young Hollywood — Part 1: The Filmmakers

On My DVR: My Dinner with Andre (1981)

Synopsis (courtesy of IMDb):
Wallace Shawn and Andre Gregory, apparently playing themselves, share their lives over the course of an evening meal at a restaurant. Gregory, a theater director from New York, is the more talkative of the pair. He relates to Shawn his tales of dropping out, traveling around the world, and experiencing the variety of ways people live, such as a monk who could balance his entire weight on his fingertips. Shawn listens avidly, but questions the value of Gregory’s seeming abandonment of the pragmatic aspects of life.


I first heard of this film, which takes place entirely at a dinner table, while watching a parody of it on the brilliant NBC sitcom Community, a scripted TV show that honors cinema unlike any other I’ve seen. The film’s Criterion trailer and a clip from that episode of Community follow the jump.

Director: Louis Malle
Screenwriters: Andre Gregory, Wallace Shawn
Cast: Andre Gregory, Wallace Shawn
Distributor: New Yorker Films
Runtime: 110 min.

Continue reading On My DVR: My Dinner with Andre (1981)

My Favorite Movie of All Time: Mr. Smith Goes to Washington

“You’re not gonna have a country that can make these kind of rules work, if you haven’t got men that have learned to tell human rights from a punch in the nose.”

With the US presidential election just three days away, there’s been talk on TV and in social media about the best political films of all time. Seeing as my favorite movie of all time is a political film, it’s worth giving it its due now (though it’s always worthy of much-deserved consideration).

After a US senator from an unnamed state dies, the governor chooses an unlikely replacement to fill his seat. At his young sons’ urging, the spineless governor appoints Jefferson Smith (James Stewart), leader of the Boy Rangers (a sort of Boy Scouts), to take the position. Wide-eyed and naive, Smith ventures to the nation’s capital for the first time, where he meets and is mentored by fellow senator Joseph Paine (Claude Rains). When Smith learns of his mentor’s involvement in a crooked political scheme, the green senator is forced to face the reality of American politics head on. With the help of his secretary, Clarissa Saunders (Jean Arthur), Smith learns to take a stand against corruption and in favor of true democracy.

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“Shear Pratique” at IFFM

A short film that I wrote, “Shear Pratique,” has been accepted into the 2012 International Film Festival Manhattan. The festival runs from November 9 – 15 at the Quad Cinemas in Manhattan. Check out some great deals on tickets and swag by clicking here, and be sure to check out “Shear Pratique” on the big screen on November 14.

(Check out the full film slate here.)

Hitchcock vs. Hitchcock: The Battle of the Trailers

It doesn’t take much to realize that Alfred Hitchcock is my favorite director (as is established by the giant visual homage to the “Master of Suspense” on my living room wall). So imagine my excitement that two Hitchcock-themed movies are coming out shortly, each delving into one of the first two of his movies that I’ve seen: Psycho and The Birds. (Psycho is my favorite of his films.) Also, each movie is being released by either Fox Searchlight (my favorite film distributor) or HBO (my favorite TV network). Check out the trailers below. Which looks most appealing to you, and who do you think portrays the famed filmmaker best: Anthony Hopkins (Hitchcock) or Toby Jones (The Girl)? (And, incidentally, has anyone else noticed that Jones seems to “always” play the “other” person in movies? He played Truman Capote in the “other Capote movie” [Infamous, 2006; in contrast to Philip Seymour Hoffman’s portrayal in Capote, 2005] and now he’s playing Alfred Hitchcock in the “other Hitchcock movie.”)

Continue reading Hitchcock vs. Hitchcock: The Battle of the Trailers

New York Film Festival Preview: The Gatekeepers

(Re-posted from LimitéMagazine.com)

[youtube http://www.youtube.com/watch?v=ZepXBymtkUQ]

Screening: Thursday, October 11, 9pm

Venue: Alice Tully Hall, Lincoln Center, NYC

Series: NYFF50: Main Slate

In The Gatekeepers, documentarian Dror Moreh does something unprecedented by interviewing six former heads of the Shin Bet, Israel’s Secret Service. Individually, the “gatekeepers” reflect on their successes and failures during the ongoing struggles between Israel and Palestine and the mission for peace. In what is surely considered a strong contender for a Best Documentary Oscar nomination, this film is among the most astonishing documentaries of the year. (Moreh sites 2004 Oscar-winning documentary The Fog of War as an inspiration.) The level of access Moreh achieves is remarkable, offering a point of view never previously heard in such a medium. The film is ripe with strong narratives as told by each of the six men, as well as varied “textures” that are achieved through sit-down interviews, revealing archival footage, well-composed graphics, and a score that underlines the visuals in a subtle-yet-impactful manner. The narrative can be a bit cumbersome to follow for those not familiar with the political and social struggles between Israel and Palestine, but even still one would be hard-pressed not to appreciate the film’s obvious achievements.

Limité Rating: 4/5

Director: Dror Moreh

Genre: Documentary

Countries: Israel, France, Germany, Belgium

Language: Hebrew with English subtitles

Runtime: 97 min.

The 50th New York Film Festival runs from September 28 – October 14, 2012.

2012 Hamptons International Film Festival: A Personal Account

For the past two years, I’ve been a member of the Hamptons International Film Festival’s (HIFF) screening committee. I watch dozens of submitted films and write brief reviews for and rate each, helping the programmers to decide which films to accept into this prestigious festival. This year, HIFF turns 20 and I made sure to attend for the first time.

My friend Erin and I took the train from the western tip of Long Island to the eastern side, a three-hour ride. (There’s a reason it’s called “Long Island.”) This was my first trip to the Hamptons, home of New York’s well-to-do and known for some of the most pristine beaches on the East Coast.

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Record 71 Countries Vie for Oscar’s Best Foreign Language Film Award

The Academy of Motion Picture Arts and Sciences recently released the official list of qualified films that will vie for this year’s Best Foreign Language Film Oscar. The record 71 nations includes first-time entrant Kenya. To qualify, each country must submit one film that screened in that country before October 1. Though the film does not need to be in the country’s official language, it must be made (director, writer, producer) by a person from that nation. From this list of 71, nine films will be shortlisted and the official five nominations will be revealed on January 10. The winner will be announced at the 85th annual Academy Awards on Sunday, February 24. Early front-runners include Austria’s Amour and France’s The Intouchables. (Continue reading for the full list of entries.)

Continue reading Record 71 Countries Vie for Oscar’s Best Foreign Language Film Award

New York Film Festival Preview: Amour

(Re-posted from LimitéMagazine.com)

[youtube http://www.youtube.com/watch?v=ekjfj8sLFqs]

Screening: Saturday, October 6, 3pm

Venue: Alice Tully Hall, Lincoln Center, NYC

Series: NYFF50: Main Slate

Winner of this year’s prestigious Palme d’Or at the Cannes Film Festival, legendary filmmaker Michael Haneke’s Amour tells the story of an octogenarian couple living in France. After Anne (Emmanuelle Riva) suffers multiple strokes, her devoted husband Georges (Jean-Louis Trintignant) loyally stays by her side, caring for her throughout the duration of her deteriorating health. Amour tells a simple, truthful, emotional, tragic, haunting, and beautiful story—one that is likely to remain with the viewer long after the end credits roll. Both veteran French actors Riva and Trintignant offer exceptionally brave performances, only achieved by baring every bit of themselves to each other and on screen. Though the film’s pacing is slow, it reflects a feeling of quiet sadness that hangs heavily over the couple’s Parisian apartment. Amour is Austria’s official 2012 Oscar entry for Best Foreign Language Film and is considered an easy favorite for a nomination.

Limité Rating: 4/5

Director: Michael Haneke

Genres: Narrative, Drama

Country: Austria

Language: French with English subtitles

Runtime: 127 min.

The 50th New York Film Festival runs from September 28 – October 14, 2012.

a film blog by Daniel Quitério