Category Archives: Narrative

Short Film: “Somebody” by Miranda July

In her quirky fashion, filmmaker/artist Miranda July (Me and You and Everyone We Know, 2005) based her latest short film, “Somebody,” on an app that enables people to deliver personal messages in a very impersonal way. The film, which premiered at this year’s Venice Film Festival, is currently available on YouTube, but you can watch the 10-minute short below.

The film lacks a narrative, but it makes for an enjoyable watch. July was commissioned to make this film for fashion label miu miu’s Women’s Tales series, and yes, the app is real. Get more information here.

[youtube http://www.youtube.com/watch?v=iz13HMsvb6o]

 

Film Review: Magic in the Moonlight

(Re-posted from LimitéMagazine.com)

by Daniel Quitério

Colin Firth and Emma Stone in MAGIC IN THE MOONLIGHT (photo by Jack English, courtesy of Sony Pictures Classics. © 2014 Gravier Productions. All rights reserved.)
Exotic locations. Defined characters. Sharp wit. It’s what you come to expect from the venerable, and oh so prolific Woody Allen. And it’s what you’ll come to find in his latest offering, Magic in the Moonlight. In short, if you hate Woody Allen, you’ll hate this film. But on the other hand, if you love this cinematic mastermind, you’ll be as enamored and enchanted by Magic as this reviewer was.

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Limité Must-See: Another Earth (2011)

(Re-posted from LimitéMagazine.com)

by Daniel Quitério

Photo courtesy of Fox Searchlight. © 2011. All rights reserved.
This is the one movie from the past three years that I’m still tweeting about. It’s rare these days that a film comes along and etches its mark in your mind quite the way Another Earth did to me. Stitched together using bubble gum and string (and green fabric and googly eyes—really), this super low-budget indie darling launched the careers of star and co-writer Brit Marling (Arbitrage, 2012) and writer/director Mike Cahill (I Origins, 2014). Believing that it would be near impossible for two unknowns to attract funding in order to make their film, Cahill and Marling took matters into their own hands. The two Georgetown alumni shot the film in Southern Connecticut with a tiny crew, ultimately earning it a place in Sundance’s 2011 official selection, where it won a Special Jury Prize and the Alfred P. Sloan Prize, which is awarded to a film that focuses on science or technology as a theme. It was distributed later that year by Fox Searchlight.

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2014 Top 10 Indie Summer Flicks

NOTE: I edited and partly wrote the following feature for LimitéMagazine.com.

(Re-posted from LimitéMagazine.com)

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Keira Knightley and Adam Levine in BEGIN AGAIN
Summer may not officially begin until June 21, but “summer movies” have already begun to make waves at the box office. And while filmgoers succumb to the traditional summer movie fare—including superheroes and sequels, Transformers and talking apes—the indie box office is primed to serve up something different with a bit more depth. This summer, we challenge you to venture beyond the shallow side of the pool and dive into the deep end. Here’s our annual Top 10 list of what you will find there.

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One of the Good Guys: Jefferson Smith and Behind the Scenes of MR. SMITH GOES TO WASHINGTON

There’s Frank Underwood … and then there’s Jefferson Smith. They’re about as opposite as opposites get. With antiheroes dominating pop culture as of late, it’s worth taking a step to the left to appreciate one of the good guys. Smith, portrayed by my favorite actor James Stewart in my favorite film, Mr. Smith Goes to Washington (1939), may be naive, but he’s also pure of heart. It’s his pure intentions and intestinal fortitude that make all the difference when he seeks to make a difference. And he succeeds.

Check out these behind-the-scenes images from Mr. Smith Goes to Washington, featuring Stewart, director Frank Capra, co-stars Jean Arthur and Claude Rains, and more.

Continue reading One of the Good Guys: Jefferson Smith and Behind the Scenes of MR. SMITH GOES TO WASHINGTON

May the 4th be with You: “George Lucas in Love” to be Re-Released May 20th

Star Wars fever has captivated the world since the original film’s initial release in 1977, but with recent news of Episode VII‘s casting and today being … um … May the 4th, it’s only fitting that news comes out about the 15th anniversary re-release of celebrated short film “George Lucas in Love.” At under 9 minutes, the Joe Nussbaum-directed film takes a hilarious look at the “origin” story of the iconic movie franchise by following a young George Lucas, a film student struggling with writer’s block, who learns that sometimes the best untold stories are the ones staring you right in the face.

The film was released in 1999, one year after Best Picture winner Shakespeare in Love was popular in theatres, so imagine the short’s added relevance then. Fifteen years later, it remains as funny as ever —and perhaps even more relevant as the world prepares itself for J.J. Abrams’s latest incarnation next year.

“George Lucas in Love” will be available for download on iTunes on May 20.

Game of Thrones: Why That Controversial Scene Is Okay in My Book

Before I begin, I must disclose that my day job is working for a company that retains HBO as a client. That said, my company’s affiliation has no bearing on my views regarding HBO or its series.

Warning: This commentary contains spoilers.

This blog has always been wholly dedicated to film, but allow me to take a left turn for a moment and focus on another of my passions: television.

A couple of weeks ago, HBO aired a controversial scene in Game of Thrones in which nobleman Jaime Lannister (portrayed by Nikolaj Coster-Waldau) rapes his twin sister and frequent lover Cersei (Lena Headey) in front of the corpse of their eldest son. And then a fan uproar commenced. Diehard fans of the A Song of Ice and Fire book series—on which Game of Thrones is based—immediately flocked to the Internet to complain that this scene was not accurately depicted on television as it was in the book. I haven’t read the books, but I understand that the novelization depicts a consensual sexual encounter—certainly not a rape. Book lovers, get over it. Television and film depictions are often different than what’s in the source material, and that’s done for a reason. But that’s another commentary for another time. My current interest is in defending the scene as it played out on screen.

Continue reading Game of Thrones: Why That Controversial Scene Is Okay in My Book

Coming Soon: The Angriest Man in Brooklyn

Mila Kunis and Robin Williams in THE ANGRIEST MAN IN BROOKLYN (photo courtesy of FameFlynet)

An ill-tempered Brooklyn man is told he has 90 minutes to live, and then stuff happens. It’s hardly an original story, yet I can’t help but be lured by the impressive cast. Robin Williams. Mila Kunis. Peter Dinklage (Tyrion!). Richard Kind. Melissa Leo. James Earl Jones. Hamish Linklater. (I’m kind of a sucker for Hamish.) Add my adopted home of Brooklyn on top of it and this looks to be a fun ride, coming to theatres May 23rd.

[youtube http://www.youtube.com/watch?v=mZEd-zrROsY]

Coming Soon: Transcendence

[youtube http://www.youtube.com/watch?v=VCTen3-B8GU]

Johnny Depp. Rebecca Hall. Paul Bettany. Kata Mara. Morgan Freeman. Cillian Murphy. And above them all, Wally Pfister.

After a terminally ill scientist downloads his mind into a computer, he discovers unimaginable powers. Depp sheds the heavy makeup for this sci-fi action pic, which doesn’t usually bode as well for his films’ box office receipts. However, this time he has Wally Pfister, the Oscar-winning cinematographer behind Christopher Nolan’s films, to guide him in Pfister’s directorial debut. After standing behind the camera for dozens of critical and box office favorites, it should be interesting to see how much of Nolan’s influence—if any—bears on Pfister’s turn in the director’s chair.

Transcendence is slated for an April 18 bow.

A Film of Olympic Proportions

In light of the Olympic Winter Games and TCM’s 31 Days of Oscar, it seems appropriate to draw focus to the classic film Chariots of Fire. Set during the 1924 Olympic Games, one Jewish and one Christian track athlete—both British—compete against each other in this epic story of sportsmanship. Directed by Hugh Hudson, the 1981 film went on to capture four Academy Awards for Best Picture, Best Original Screenplay, Best Costume Design, and its now Olympics-synonymous score. Other nominations were earned for the film’s directing, editing, and supporting performance by Ian Holm.

Transport yourself back to 1924 and the Olympic games and take a listen to this iconic, Oscar-winning score:

[youtube http://www.youtube.com/watch?v=RY3XiM7oGj0]