Category Archives: Filmmakers

Why Searchlight Slipped HITCHCOCK into This Year’s Oscar Race (Analysis)

(Re-posted from The Hollywood Reporter)

by Scott Feinberg

September 20, 2012

The drama about the making of “Psycho” joins “Beasts of the Southern Wild,” “The Sessions” and “The Best Exotic Marigold Hotel” on the Searchlight slate.

Hitchcock Movie Poster - P 2012

Fox Searchlight just shook up this year’s awards race by announcing that Hitchcock, which had been looking like a 2013 release, will now open on Nov. 23.

First of all, the facts: Hitchcock is a dramedy about the relationship between kinky master filmmaker Alfred Hitchcock and his trusted wife, Alma Reville, during the making of his seminal 1960 film Psycho.

The film was adapted by Black Swan co-screenwriter John McLaughlin from film historian/Playboy contributing editor Stephen Rebello’s book Alfred Hitchcock and the Making of Psycho. It marks the feature directorial debut of Sacha Gervasi, who is best known for his 2008 hit doc Anvil: The Story of Anvil, and was produced by Tom Pollock and Ivan Reitman’s Montecito Picture Co., which also handled 2009 best picture Oscar nominee Up in the Air.

Continue reading Why Searchlight Slipped HITCHCOCK into This Year’s Oscar Race (Analysis)

3rd-Annual Limité Honors – Celebrating Careers in Film, Television, Music, and Lifestyle

(Re-posted from LimitéMagazine.com)

July 12, 2012

If you know anything about Limité, you know that we don’t follow the norm, nor do we care what the “others” glorify. Awards and recognition are usually given out to those who’ve sold a certain amount of music albums or for their performance in a big budget movie in the last fiscal year, but what about celebrating someone’s entire career and being recognized? That’s what we’ve done in our 3rd Annual Limité Honors. The individuals below have entertained us on more than one occasion and we deem it necessary to give respect when respect is due. Enjoy!

Jessica Chastain

by Daniel Quitério

Don’t tell Jessica Chastain that Rome wasn’t built in a day, because you’d be speaking to the one person who proved that all wrong in 2011. Chastain’s list of film credits and honors that one year surpasses most actors’ entire careers.

Born Jessica Howard, the would-be actress grew up in Northern California. She began as a dancer in her early teens before acting in local Shakespeare productions. The entertainer eventually enrolled at the prestigious Juilliard School in New York as a drama major, where during her last year, she was offered a holding deal by TV producer John Wells (ERThe West Wing) and worked on three of his shows.

Film was a logical next step. Chastain went on to debut as the title character in Jolene (2008). A few years later, moviegoers were watching the blossoming-yet-seasoned actress in an astonishing seven films in 2011, including The DebtTake Shelter, and The Tree of Life. She went on to receive multiple breakthrough artist awards and an Oscar nomination for Best Supporting Actress for The Help, in which she played a sympathetic and domestically challenged housewife. Thanks to her meteoric rise, Time magazine named her one of the 100 most influential people in the world.

This year, Chastain’s credits threaten to nearly trump her 2011 filmography. She’s set to star in six more films, including a second collaboration with Malick (To the Wonder) and a film about Navy SEAL Team 6—the soldiers that killed Osama bin Laden—entitled Zero Dark Thirty, directed by Oscar winner Kathryn Bigelow (The Hurt Locker).

Chastain may very well be the most prolific actress in the movies today, but let’s not forget that film is just one of the media in which she has proven herself. With a background in theatre and television, Chastain’s versatility makes her an actor among actors.

Continue reading 3rd-Annual Limité Honors – Celebrating Careers in Film, Television, Music, and Lifestyle

Who Is That Handsome Fellow?

(Re-posted from The Reminder)

by Chris Maza

May 28, 2012

If you had only 48 hours to make an award-winning movie, could you do it?

Dan Quiterio thinks he has what it takes.

The Ludlow native now located in the Big Apple is taking part in an international filmmaking contest called the 48 Hour Film Project taking place in New York City from June 1 to 3.

The objective of the contest is for a team to create a short film from start to finish in two days’ time. Teams randomly pick a genre and must create a four- to seven-minute film using the same common character, line of dialogue, and prop given to all contestants in a certain city.

Once they have those elements, they must devise a story, write a script, shoot the film, edit it, and submit the final product before the clock runs out. The winning films are screened in a theater and go on to well-known film festivals, such as the Cannes International Film Festival in France.

“It’s kind of like one of those cooking shows on TV in which chefs are given some random ingredients and have to turn them into a gourmet meal in 30 minutes,” Quiterio said. “The only real planning we’re allowed to do in advance is securing potential locations, actors, crew, and equipment. Of course, we won’t know what our needs will be until we have some vital questions answered once the competition begins, so you really have to be flexible.”

Continue reading Who Is That Handsome Fellow?

Michael Haneke’s AMOUR Claims Coveted Palme d’Or Prize at Cannes Film Festival

(Re-posted from AceShowbiz.com)

May 28, 2012

The 65th edition of the annual world-class movie festival also names Mads Mikkelsen as the Best Actor, and Cristina Flutur as well as Cosmina Stratan as the Best Actresses.
The 65th annual Cannes Film Festival has revealed which movie deserved to claim its top prize of Palme d’Or. On Sunday night, May 27, it was announced that Michael Haneke’s highly praised drama Amour has won the prestigious award.
Upon receiving the prize with lead actors Jean-Louis Trintignant and Emmanuelle Riva, the 70-year-old director said, “I thank my wife, who has been putting up with me for years.” He added, “Thanks to my wonderful actors. They are the essence of it.”
This was the second time the Munich-born moviemaker won the coveted Palme d’Or gong at Cannes. Back in 2009, the Austrian filmmaker took home the same award through his acclaimed work in The White Ribbon.

Short Film: “The Fantastic Flying Books of Mr. Morris Lessmore”

This animated short film by William Joyce and Brandon Oldenburg is this year’s Oscar winner for Best Short Film (Animated). Immediately below the film is Joyce’s and Oldenburg’s acceptance speech.

[youtube http://www.youtube.com/watch?v=Adzywe9xeIU] [youtube http://www.youtube.com/watch?v=B9rme79ptdA]

2012 Faces to Watch

(Re-posted from LimitéMagazine.com)

April 2, 2012

Committed to its mission to seek and promote tomorrow’s trending topics, Limité Magazine is thrilled to announce its fourth-annual “Faces to Watch” list. The feature focuses on select up-and-coming personalities in various facets of culture and lifestyle. After much consideration, 10 names were chosen for this year’s list. They were selected based on their potential to make a significant impact on their disciplines—in short, these are the names we’ll be talking about tomorrow.

Demián Bichir

by Morgan Goldin

When the 2012 Academy Award nominees for Best Actor were being announced, one nomination came as a surprise to audiences and industry insiders alike. Alongside uber-famous Hollywood actors George Clooney and Brad Pitt, there was Jean Dujardin (who eventually won the category), unknown to most Americans but recognized for his work in the popular The Artist, and Demián Bichir, for his role in A Better Life. Bichir’s sensitive and soulful portrayal of an undocumented migrant worker was powerful enough to make the Academy take notice, despite the indie feature going largely unseen by moviegoers. However, to Hispanic audiences, this was an actor finally getting his due.

Bichir was born in Mexico City on August 1, 1963. He started his acting career in telenovelas, with productions filmed in Mexico, the United States, and Spain. He took a break from his television acting to focus on a movie career. His movie Sexo, pudor y lagrimas (1999) was a massive box office smash, breaking all kinds of records to win the accolade of being the number one film in all of Mexican cinema. His role earned him an Ariel, a Mexican version of the Academy Award. The film In the Time of Butterflies (2001) was Bichir’s American debut, in which he co-starred with Salma Hayek. He garnered other roles in American film and television productions, playing a major role as Esteban Reyes on the hit Showtime show Weeds, as well as portraying Fidel Castro for Steven Soderbergh’s Che (2008). However, with his role as Carlos Galindo in A Better Life, Bichir, only the second Mexican actor to be nominated for a Best Actor Oscar (after Anthony Quinn), will hopefully be a name that more American audiences recognize. And here’s a fun fact: he was the singing voice of Aladdin in the Spanish dub version of the 1992 Disney classic.

Bichir can next be seen in Oliver Stone’s 2012 release Savages, which also stars John Travolta, Blake Lively, Uma Thurman, Benicio Del Toro, and his Butterflies co-star Salma Hayek.

Continue reading 2012 Faces to Watch

Coming Soon: Sound of My Voice

The thing about the indie film world is that it does not shy away from material that pushes the boundaries. It likes to challenge viewers and get them to think about things of which they normally wouldn’t. It seems that the latest in these “trending topics” is cult life. Last year, Sean Durkin’s Martha Marcy May Marlene introduced us to a disturbing cult world, perhaps not unlike the one we’ll be exploring next in Fox Searchlight’s newest release, Sound of My Voice. The film, which is directed by Zal Batmanglij (yes, the first six letters of his last name spell “Batman”!), is co-written by the director, himself, and one of indie film’s newest darlings, Brit Marling. In fact, the tri-hyphenate Marling also stars in the film and produced it. (Her last effort as writer-producer-star was last year’s independent triumph Another Earth, which shared a stage at Sundance 2011 with Sound of My Voice.)

Continue reading Coming Soon: Sound of My Voice

2012 Memo to the Academy

(Re-posted from LimitéMagazine.com)

Dear Academy,

Here we go again. The Super Bowl is over, and now it’s time for the real games to begin. You have a hefty task in front of you—choosing who’s most deserving of that little golden guy. With all the hype and buzz around, it’s easy to get confused. Here’s a little help.

Your friends,

Limité’s film staff

BEST PICTURE

Nominees: The ArtistThe DescendantsExtremely Loud & Incredibly CloseThe HelpHugoMidnight in ParisMoneyballThe Tree of LifeWar Horse

Dan QuitérioHugo. For my money, Hugo is the best-composed film of the year—the imaginative performances, the vivid art direction, the crisp cinematography, the rich story—they all come together to provide the audience with a complex and colorful experience, all the while providing it with a lesson in film history without it feeling like sitting in a stodgy classroom. On top of that, the film provides some of the best use of 3D than any other film in recent memory—a format that surely isn’t going anywhere and was lovingly embraced by a true master of filmmaking in Martin Scorsese. No other film last year—except for maybe Midnight in Paris—has the capability of igniting the imagination quite like Hugo. This film reminds us why the film medium is so special.

Predicted Winner: The Artist

Stephanie DawsonThe Artist. I don’t think any of these films are as amazing or as groundbreaking as nominees in previous years. The Tree of Life is polarizing because of it’s “what?!” factor. Extremely Loud & Incredibly CloseThe Help, and War Horse revel in their emotional manipulation of the audience. Moneyball and Midnight in Paris are better writing achievements than complete films. The story momentum in both Hugo and The Descendants keeps sputtering and the central stories change at least twice in each. The Artist is simple, enjoyable from the first frame, and just the right amount of “sweet,” and so it has my vote, unfortunately by default.

Predicted Winner: The Artist

Janice PerezMidnight in Paris. I haven’t seen anything in a very long time that resonated with me on a very intimate and highly personal level the way Woody Allen’s darling of a film did. Maybe it stems from my being a dedicated Francophile, or probably because that film was a beautiful homage to art. Well, whatever the cause, I loved Midnight in Paris to the hilt for being a film that really brought my own fondest imagination to life.

Predicted Winner: The Artist

Continue reading 2012 Memo to the Academy

Q&A: Team from Oscar-Nominated Film “Time Freak”

(Re-posted from LimitéMagazine.com)

Among this year’s Oscar nominees for Best Short Film—Live Action is “Time Freak,” the comedic story of a neurotic inventor who creates a time machine that he uses to travel around yesterday so that he can obsessively correct his social foibles. The short is the only American film nominated in its category. I had the chance to pick the brains of the film’s masterminds, including writer/director Andrew Bowler, his producer wife Gigi Causey, and lead actor Michael Nathanson, just before their big day in Hollywood.

[youtube http://www.youtube.com/watch?v=-_DLkVR7hK0]

Where were you when you found out about the nomination?

Michael: I actually was sound asleep. My wife is a public school teacher in NYC, and she had been up early and found out at work. When she woke me up by screaming into the answering machine, I knew it was good news.

Andrew: We were at home when we heard the news. We got up at 4:45am, unable to sleep anymore. The telecast did not come on ’til about 5:50am, and then the results were posted online shortly after that. We wanted to share the possible moment with our friends and family in different parts of the country, so we shot it.

(Watch this video of Andrew and Gigi finding out they have been nominated for an Oscar.)

[youtube http://www.youtube.com/watch?v=MnwiOYhIExU&feature=youtu.be]

Continue reading Q&A: Team from Oscar-Nominated Film “Time Freak”

Continued Q&A: Team from Oscar-Nominated Film “Time Freak”

This is the continuation of a Q&A with the team from the Oscar-nominated short film “Time Freak” that I conducted for LimitéMagazine.com. For the first part of my interview with writer/director Andrew Bowler, producer Gigi Causey, and lead actor Michael Nathanson, click here.

Andrew, did you go to film school?

I went to NYU’s film school. I think I had a similar experience to most people who go there in that I met my best friends whom I would collaborate with for years and almost no one else. Geoffrey Richman, Michael McDermott, and Adam Fleischhacker are all accomplished filmmakers in their own right and they all worked really hard on “Time Freak.” The four of us all met in the same video class sophomore year. Geoffrey and Mike were producers [on “Time Freak”], as well as the editor and production designer, respectively.

Michael, how and when did you first catch the acting bug? What have been your biggest challenges in developing your style and rhythm as an actor?

I remember being in my first school play when I was in sixth grade, playing the comedic villain in a Gilbert and Sullivan musical, and getting in front of an audience and thinking, “Wow, this is what I want to do.” I was always a film buff, and I had the opportunity to see so many great films, growing up in NYC. It really wasn’t until I got to Northwestern in Chicago and studied theatre that it really hit me that this is what I’m going to be doing with my life. As an actor, kind of like the character in “Time Freak,” you’re always trying to get better, understand the craft more—sometimes it works and sometimes it doesn’t. I feel like I try, whether it’s stage or screen, to give the audience something edgy, something unexpected. I like when an audience is uncomfortable, and yet wants to know more. I think that’s when the most interesting work happens. There’s a fearlessness I admire in actors like Gary Oldman and in comedians like Bill Murray; they are so invested in their character work, you truly feel like anything can happen at any moment. I guess I would say I’m not into ever playing it safe.

Continue reading Continued Q&A: Team from Oscar-Nominated Film “Time Freak”