Category Archives: Drama

Drama, In Theatres, Independent Film, Narrative, New Release, Review

THE PLACE BEYOND THE PINES: The Year’s First Amazing Film

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It’s not often that I watch a movie and feel compelled to write about it (unless I have to)—that is, write beyond the 140 characters allowed by Twitter. But I recently watched Derek Cianfrance’s The Place Beyond the Pines and instantly knew that I had to get the word out. Without knowing much about the film, I knew I wanted to see it (despite a trailer that did not interest me) for two reasons: 1. It’s Derek Cianfrance, and I LOVE Blue Valentine (which topped my annual Top 20 list in 2011), and 2. It stars Ryan Gosling, who, in my opinion, is one of the most talented actors alive today. Now, I watch a lot of movies. A LOT. And it’s hard to come by a truly great film nowadays that can compete with the purity and heart of those from the Golden Age of cinema. So rest assured that I am not half-heartedly slinging around superlatives when I say that The Place Beyond the Pines is one of my all-time favorite movies.

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Actors, Awards, Comedy, Drama, Filmmakers, Independent Film, Narrative, Oscars

2013 Memo to the Academy

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(Re-posted from LimitéMagazine.com)

Dear Academy,

You get thanked an awful lot by Oscar winners, but you don’t always make the smartest choices (#justsayin). Allow us to help you along a bit so you don’t make another embarrassing blunder (Affleck, anyone?) come February 24th. Here’s who we say should win in some of the key races.

Your friends,

Dan Quitério

Limité Film Editor

Stephanie Dawson

Senior Film Contributor

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Awards, Drama, Narrative, News, Oscars

ARGO Solidifies Front-runner Status for Best Picture

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After some high-profile Best Picture wins at the Golden Globes, Critics Choice Awards, and AFI, Argo has come ever closer to solidifying its Oscar front-runner status following last night’s Producers Guild of America (PGA) Award win for Best Picture. The PGA Award is often a reliable indicator of the Best Picture winner at the Oscars. The twist here is that the Oscar winner for Best Picture typically also wins for Best Director, but, as has been repeatedly documented, Argo‘s director Ben Affleck was famously snubbed for a nomination. It’s extremely rare for a film to win Best Picture without its director being nominated. The last movie to achieve this was Driving Miss Daisy 23 years ago. It looks like we’re coming closer to repeating this feat in just a few short weeks.

Although Argo is deserving of the Best Picture honors it’s received to date, Affleck’s Oscar snub is perhaps the best thing to happen to the film. It seems that several awards bodies are quick to remind the Academy of its foolish decision to leave Affleck out of the race, and they’re doing it by awarding him and the movie at their own award shows. Had Affleck been nominated, I question whether the film would be receiving this same attention, especially when competing against other deserving films like Lincoln, Zero Dark Thirty, Les Misérables, and Life of Pi.

So the question persists: If Argo wins Best Picture, who will win Best Director?

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Drama, Filmmakers, Foreign Film, Independent Film, Narrative, New Release, Preview

Q&A: Miguel Gomes

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(Re-posted from LimitéMagazine.com)

I recently sat down with Portuguese filmmaker Miguel Gomes in Manhattan’s Film Forum, where his new feature Tabu will be screening as of December 26th. The film’s story begins in Lisbon where we meet Aurora, an elderly woman with a seemingly uninteresting life. Following her death, Aurora’s neighbor and maid join to find an old man with a connection to Aurora’s past. As the man begins to tell his and Aurora’s story, we are transported to a former Portuguese colony in Africa, where we witness their youthful, eccentric lives play out.

Tabu is told in two distinct parts: the first half set in Lisbon in the present day and the second set in Africa decades earlier. Both benefit from the classic mode of filmmaking that Gomes employed. His use of black-and-white imagery and a 4:3 aspect ratio hearken back to a cinema of old, honoring a long-forgotten art while emphasizing the film’s theme of lost youth.

This year, the film has screened at the New York Film Festival, Sydney Film Festival, Las Palmas Film Festival (Spain), and won two awards at the prestigious Berlin International Film Festival.

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Actors, Awards, Coming Soon, Drama, Independent Film, Narrative, Oscars, Preview

Meet the Characters from PROMISED LAND

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Gus Van Sant’s new film Promised Land has been getting significant Oscar buzz. The Matt Damon-starring drama about the controversial practice known as “fracking” opens in limited release on December 28, with a larger roll-out on January 4. Other cast includes Frances McDormand, John Krasinski, Scoot McNairy, Rosemarie DeWitt, Titus Welliver, and Hal Holbrook. Check out these stills below.

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Classic Film, Drama, Narrative

My Favorite Movie of All Time: Mr. Smith Goes to Washington

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“You’re not gonna have a country that can make these kind of rules work, if you haven’t got men that have learned to tell human rights from a punch in the nose.”

With the US presidential election just three days away, there’s been talk on TV and in social media about the best political films of all time. Seeing as my favorite movie of all time is a political film, it’s worth giving it its due now (though it’s always worthy of much-deserved consideration).

After a US senator from an unnamed state dies, the governor chooses an unlikely replacement to fill his seat. At his young sons’ urging, the spineless governor appoints Jefferson Smith (James Stewart), leader of the Boy Rangers (a sort of Boy Scouts), to take the position. Wide-eyed and naive, Smith ventures to the nation’s capital for the first time, where he meets and is mentored by fellow senator Joseph Paine (Claude Rains). When Smith learns of his mentor’s involvement in a crooked political scheme, the green senator is forced to face the reality of American politics head on. With the help of his secretary, Clarissa Saunders (Jean Arthur), Smith learns to take a stand against corruption and in favor of true democracy.

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Actors, Coming Soon, Drama, Independent Film, Narrative, Preview, Trailer

Hitchcock vs. Hitchcock: The Battle of the Trailers

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It doesn’t take much to realize that Alfred Hitchcock is my favorite director (as is established by the giant visual homage to the “Master of Suspense” on my living room wall). So imagine my excitement that two Hitchcock-themed movies are coming out shortly, each delving into one of the first two of his movies that I’ve seen: Psycho and The Birds. (Psycho is my favorite of his films.) Also, each movie is being released by either Fox Searchlight (my favorite film distributor) or HBO (my favorite TV network). Check out the trailers below. Which looks most appealing to you, and who do you think portrays the famed filmmaker best: Anthony Hopkins (Hitchcock) or Toby Jones (The Girl)? (And, incidentally, has anyone else noticed that Jones seems to “always” play the “other” person in movies? He played Truman Capote in the “other Capote movie” [Infamous, 2006; in contrast to Philip Seymour Hoffman’s portrayal in Capote, 2005] and now he’s playing Alfred Hitchcock in the “other Hitchcock movie.”)

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Actors, Coming Soon, Drama, Film Festival, Foreign Film, Independent Film, Narrative

2012 Hamptons International Film Festival: A Personal Account

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For the past two years, I’ve been a member of the Hamptons International Film Festival’s (HIFF) screening committee. I watch dozens of submitted films and write brief reviews for and rate each, helping the programmers to decide which films to accept into this prestigious festival. This year, HIFF turns 20 and I made sure to attend for the first time.

My friend Erin and I took the train from the western tip of Long Island to the eastern side, a three-hour ride. (There’s a reason it’s called “Long Island.”) This was my first trip to the Hamptons, home of New York’s well-to-do and known for some of the most pristine beaches on the East Coast.

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Actors, Awards, Coming Soon, Drama, Film Festival, Foreign Film, Independent Film, Narrative, Oscars, Preview, Review

New York Film Festival Preview: Amour

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(Re-posted from LimitéMagazine.com)

[youtube http://www.youtube.com/watch?v=ekjfj8sLFqs]

Screening: Saturday, October 6, 3pm

Venue: Alice Tully Hall, Lincoln Center, NYC

Series: NYFF50: Main Slate

Winner of this year’s prestigious Palme d’Or at the Cannes Film Festival, legendary filmmaker Michael Haneke’s Amour tells the story of an octogenarian couple living in France. After Anne (Emmanuelle Riva) suffers multiple strokes, her devoted husband Georges (Jean-Louis Trintignant) loyally stays by her side, caring for her throughout the duration of her deteriorating health. Amour tells a simple, truthful, emotional, tragic, haunting, and beautiful story—one that is likely to remain with the viewer long after the end credits roll. Both veteran French actors Riva and Trintignant offer exceptionally brave performances, only achieved by baring every bit of themselves to each other and on screen. Though the film’s pacing is slow, it reflects a feeling of quiet sadness that hangs heavily over the couple’s Parisian apartment. Amour is Austria’s official 2012 Oscar entry for Best Foreign Language Film and is considered an easy favorite for a nomination.

Limité Rating: 4/5

Director: Michael Haneke

Genres: Narrative, Drama

Country: Austria

Language: French with English subtitles

Runtime: 127 min.

The 50th New York Film Festival runs from September 28 – October 14, 2012.

Comedy, Coming Soon, Drama, Film Festival, Independent Film, Narrative, Preview, Review

New York Film Festival Preview: Not Fade Away

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(Re-posted from LimitéMagazine.com)

[youtube http://www.youtube.com/watch?v=j71yt23H5vw]

Screenings: Saturday, October 6, 6pm & 9pm

Venue: Alice Tully Hall, Lincoln Center, NYC

Series: NYFF50: Gala Tributes

*CENTERPIECE FILM*

*WORLD PREMIERE*

Suburban New Jersey. Mid 1960s. A group of teens form a band in the shadow of some of the biggest names of the time—Rolling Stones, The Beatles. In his film directorial debut, Sopranos creator David Chase crafts a film that’s as much a love letter to the 1960s as it is to the classic tunes of his youth. Joining forces with an ideal music supervisor, the legendary Steven Van Zandt of Bruce Springsteen’s E Street Band and himself a patron saint of New Jersey, the duo captures the essence of the era in great detail, though at times the constant in-your-face references breach on annoying. Not Fade Away feels a bit disjointed at times and is not as strong as Cameron Crowe’s 2000 Oscar-winning Almost Famous (an easy comparison), but the film does manage to stand on its own two feet and will surely be enjoyed by any child of the ’60s with a garage band. Above all else, the soundtrack is pretty boss.

Limité Rating: 3/5

Director: David Chase

Genres: Narrative, Comedy, Drama

Country: USA

Language: English

Runtime: 112 min.

The 50th New York Film Festival runs from September 28 – October 14, 2012.