The Academy’s great, new site features a series of Collection Highlights. Check out this one, dedicated to my favorite filmmaker, Alfred Hitchcock. Explore rare photos, papers, and videos surrounding the Master of Suspense’s storied career here.
Other Academy Collection Highlights are dedicated to the following personalities and films:
This week, the Academy of Motion Picture Arts and Sciences made a couple of announcements that will, perhaps, shape the future of the Oscars. A couple of years ago, the Academy decided to go back to its roots and expand the Best Picture category from five nominated films to 10. The idea was that this move would help improve the telecast’s ratings by allowing films with a wider viewership and fan-base have a better shot at grabbing a nomination. (There was a bit of an Internet uproar when high-grossing films like The Dark Knight and Wall-E were snubbed from the Best Picture race in 2009.)
During the 1998 ceremony, ratings were huge because most people had seen Titanic, the one film that stood a shot at scoring big that night—and it did. The film had such a large following that those fans were glued to their TV screens to watch Titanic‘s smooth sailing towards the Best Picture prize. Since then, arguably no nominated film has achieved the same level of interest (except for, maybe, Avatar), and the Oscars’ lagging ratings have reflected this. Now, the vast majority of nominated films are indie darlings that don’t have the same type of national or international distribution as their big-budget counterparts. So what does this mean? Fewer eyeballs. Fewer people watch the films that are nominated, and if they’re not familiar with the films that are nominated, there’s no good reason to tune into the Oscars. (And fashion is not a good reason.)