Q&A: Ruben Amar & Lola Bessis, Writers/Directors of SWIM LITTLE FISH SWIM

(Re-posted from LimitéMagazine.com)

by Daniel Quitério

Life in New York City can be hard, especially for young artists on the verge of self-discovery. But with an abounding energy and “magical atmosphere,” as described by French-born filmmakers Ruben Amar and Lola Bessis, it’s, perhaps, the ideal setting for an individual to come of age. Amar’s and Bessis’s feature debut, Swim Little Fish Swim, captures the difficult reality often faced by idealistic artists—striking a balance between an uncompromised art and the economics necessary to survive in an increasingly expensive city.

In Swim Little Fish Swim, the multi-hyphenate filmmakers (Amar and Bessis both wrote, directed, and produced the film; Bessis also stars) tell the story of musician Leeward (Dustin Guy Defa) and his more practical wife, a nurse named Mary (Brooke Bloom). The couple struggles in raising a young child in an unforgiving city, let alone hosting young French artist Lilas (Bessis), who has problems of her own.

Although Amar and Bessis have collaborated on several short films in the past, Swim Little Fish Swim represents new territory for the duo. Coming off a successful festival fun (including a win for Best Film at Gen Art Film Festival and a nomination for the Grand Jury Award at SXSW), the feature opened in New York City’s Cinema Village on September 19, with a limited rollout to follow (including Los Angeles and Chicago on September 26 and Seattle on October 24). I recently had the opportunity to conduct an interview via e-mail with Amar and Bessis, who provided joint responses to questions regarding the film, their collaboration, and their impressions of New York City.

Continue reading Q&A: Ruben Amar & Lola Bessis, Writers/Directors of SWIM LITTLE FISH SWIM

2014 Fall Film Guide

Ben Affleck in David Fincher’s GONE GIRL

I recently curated and edited Limité‘s 2014 Fall Film Guide. Get a taste below, then click here for the full guide.

Fall is nearly upon us, so we’re turning our sights towards some of the season’s hottest releases—from what are sure to be big budget crowd pleasers (the latest in the Hunger Games and Hobbit franchises), art house favorites (Whiplash, Mr. Turner), and sure-fire Oscar bait (Birdman, Foxcatcher). Mark your calendars for these fall flicks.

Continue reading 2014 Fall Film Guide

Short Film: “Somebody” by Miranda July

In her quirky fashion, filmmaker/artist Miranda July (Me and You and Everyone We Know, 2005) based her latest short film, “Somebody,” on an app that enables people to deliver personal messages in a very impersonal way. The film, which premiered at this year’s Venice Film Festival, is currently available on YouTube, but you can watch the 10-minute short below.

The film lacks a narrative, but it makes for an enjoyable watch. July was commissioned to make this film for fashion label miu miu’s Women’s Tales series, and yes, the app is real. Get more information here.

[youtube http://www.youtube.com/watch?v=iz13HMsvb6o]

 

Q&A: Michelle Tattenbaum, Director of DANNY AND THE DEEP BLUE SEA

Excuse me while I shift my focus from film for a moment. I recently interviewed theatre director Michelle Tattenbaum, who’s staging an Off-Broadway revival of John Patrick Shanley’s Danny and the Deep Blue Sea. The show opens on October 7 at New York City’s Nuyorican Poets Café.

(Re-posted from LimitéMagazine.com)

by Daniel Quitério

Notable theatre director Michelle Tattenbaum has made her presence felt in New York and regional theatre for the past several years. Most recently, she helmed the world and New York premieres of Nobody Loves You, a large-scale, comic musical about a reality dating show, which ran Off-Broadway last year at Manhattan’s Second Stage Theater. Proving her adeptness at directing larger productions as well as smaller, character-focused pieces, Tattenbaum now turns her attention to an Off-Broadway revival of the more intimate Danny and the Deep Blue Sea.

Written by Pulitzer Prize-, Tony Award-, and Oscar-winning scribe John Patrick Shanley (Doubt: A Parable), Danny and the Deep Blue Seatells the story of Danny and Roberta, living on the fringe of society. The two outcasts meet in a Bronx bar and engage in a topsy-turvy conversation that is poised to result in an unexpected connection.

I recently had the opportunity to communicate via e-mail with Tattenbaum, as she’s prepping her next production.

Continue reading Q&A: Michelle Tattenbaum, Director of DANNY AND THE DEEP BLUE SEA

2014 Young Hollywood

(Re-posted from LimitéMagazine.com)

It’s often said that Hollywood is a young person’s game. Although many film and TV veterans are still making waves in the industry, we, at Limité, are taking a look at some of Hollywood’s brightest youth. Our annual “Young Hollywood” feature profiles actors aged 30 and under and filmmakers aged 40 and under. Here’s who we have our eyes on…

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Film Review: Magic in the Moonlight

(Re-posted from LimitéMagazine.com)

by Daniel Quitério

Colin Firth and Emma Stone in MAGIC IN THE MOONLIGHT (photo by Jack English, courtesy of Sony Pictures Classics. © 2014 Gravier Productions. All rights reserved.)
Exotic locations. Defined characters. Sharp wit. It’s what you come to expect from the venerable, and oh so prolific Woody Allen. And it’s what you’ll come to find in his latest offering, Magic in the Moonlight. In short, if you hate Woody Allen, you’ll hate this film. But on the other hand, if you love this cinematic mastermind, you’ll be as enamored and enchanted by Magic as this reviewer was.

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Limité Must-See: Another Earth (2011)

(Re-posted from LimitéMagazine.com)

by Daniel Quitério

Photo courtesy of Fox Searchlight. © 2011. All rights reserved.
This is the one movie from the past three years that I’m still tweeting about. It’s rare these days that a film comes along and etches its mark in your mind quite the way Another Earth did to me. Stitched together using bubble gum and string (and green fabric and googly eyes—really), this super low-budget indie darling launched the careers of star and co-writer Brit Marling (Arbitrage, 2012) and writer/director Mike Cahill (I Origins, 2014). Believing that it would be near impossible for two unknowns to attract funding in order to make their film, Cahill and Marling took matters into their own hands. The two Georgetown alumni shot the film in Southern Connecticut with a tiny crew, ultimately earning it a place in Sundance’s 2011 official selection, where it won a Special Jury Prize and the Alfred P. Sloan Prize, which is awarded to a film that focuses on science or technology as a theme. It was distributed later that year by Fox Searchlight.

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2014 Faces to Watch

NOTE: I edited and partly wrote the following feature for LimitéMagazine.com.

(Re-posted from LimitéMagazine.com)

Committed to its mission to seek and promote tomorrow’s trending topics, we are thrilled to announce its sixth-annual “Faces to Watch” feature. Compiled by Limité’s film team, “Faces to Watch” presents a curated look at this year’s newest and brightest in film – both in front of and behind the camera – as seen through the lens of Limité.

Ryan Coogler

Ryan Coogler / filmmaker

by Minnie Li

Ryan Coogler rose to critical acclaim with his directorial debut, Fruitvale Station. Its Grand Jury Prize and Audience Award wins at last year’s Sundance Film Festival were the first of a trail of recognition from festivals the world over, including the Prix de l’avenir at Cannes, which recognizes Coogler as a talent to watch. He, along with his star Michael B. Jordan, was named by Time as one of the 30 people under 30 changing the world. In December, the 28-year-old filmmaker took home best breakthrough director at the IFP Gotham Independent Film Awards.

Fruitvale Station chronicles the last day of 22-year-old Oscar Grant’s life. A white transit officer shot Grant, who was African-American, in 2002 on the BART platform. A decade later, George Zimmerman shot the unarmed young black man, Trayvon Martin. The film and its timely release suggest that life in post-racial America has changed little. Coogler is an Oakland native and has worked as a counselor at a juvenile hall in San Francisco and as a counselor and security guard in a home for troubled Bay Area youths. Grant’s story hit home.

Coogler’s next project is Creed, a spin-off of the Rocky franchise. Sylvester Stallone and Michael B. Jordan have already signed on.

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Hollywood Ranks Its 100 Favorite Films

I love lists. In particular, I love movie lists. This should be obvious since I dedicated this blog to the list of 170 films I sought out to watch before my 30th birthday. Well, here’s one more list. The Hollywood Reporter recently released its list of “Hollywood’s 100 Favorite Films.” Filmmakers and industry brass were given the opportunity to vote on the films that would make up the final 100, and I can say that I was honored to be among them. Many of my picks made the final cut. Are your favorites on it? Check it out here.

Los Tres Amigos: The Men Behind GRAVITY, BABEL, and PAN’S LABYRINTH

NOTE: I edited and partly wrote the following feature for LimitéMagazine.com.

(Re-posted from LimitéMagazine.com)

(L to R) Alejandro González Iñárritu, Guillermo del Toro, Alfonso Cuarón
Mexico’s “Three Amigos” are Alfonso Cuarón, Alejandro González Iñárritu, and Guillermo del Toro. These highly accomplished filmmakers’ works have transcended Mexico’s borders and captured the imaginations of moviegoers the world over. Admired for their fearlessness and imagination, the three director-producers bound together in 2007 to form Cha Cha Cha Films, a production company that released Rudo y Cursi (dir. Carlos Cuarón, 2008), Mother and Child (dir. Rodrigo García, 2009), and Biutiful (dir. Iñárritu, 2009).

The three filmmakers have been nominated for a combined nine Academy Awards, and their most recent directorial achievements include Gravity (Cuarón, 2013), Biutiful (Iñárritu, 2010), and Pacific Rim (del Toro, 2013).

Continue reading Los Tres Amigos: The Men Behind GRAVITY, BABEL, and PAN’S LABYRINTH

a film blog by Daniel Quitério