Category Archives: Comedy

2012 Memo to the Academy

(Re-posted from LimitéMagazine.com)

Dear Academy,

Here we go again. The Super Bowl is over, and now it’s time for the real games to begin. You have a hefty task in front of you—choosing who’s most deserving of that little golden guy. With all the hype and buzz around, it’s easy to get confused. Here’s a little help.

Your friends,

Limité’s film staff

BEST PICTURE

Nominees: The ArtistThe DescendantsExtremely Loud & Incredibly CloseThe HelpHugoMidnight in ParisMoneyballThe Tree of LifeWar Horse

Dan QuitérioHugo. For my money, Hugo is the best-composed film of the year—the imaginative performances, the vivid art direction, the crisp cinematography, the rich story—they all come together to provide the audience with a complex and colorful experience, all the while providing it with a lesson in film history without it feeling like sitting in a stodgy classroom. On top of that, the film provides some of the best use of 3D than any other film in recent memory—a format that surely isn’t going anywhere and was lovingly embraced by a true master of filmmaking in Martin Scorsese. No other film last year—except for maybe Midnight in Paris—has the capability of igniting the imagination quite like Hugo. This film reminds us why the film medium is so special.

Predicted Winner: The Artist

Stephanie DawsonThe Artist. I don’t think any of these films are as amazing or as groundbreaking as nominees in previous years. The Tree of Life is polarizing because of it’s “what?!” factor. Extremely Loud & Incredibly CloseThe Help, and War Horse revel in their emotional manipulation of the audience. Moneyball and Midnight in Paris are better writing achievements than complete films. The story momentum in both Hugo and The Descendants keeps sputtering and the central stories change at least twice in each. The Artist is simple, enjoyable from the first frame, and just the right amount of “sweet,” and so it has my vote, unfortunately by default.

Predicted Winner: The Artist

Janice PerezMidnight in Paris. I haven’t seen anything in a very long time that resonated with me on a very intimate and highly personal level the way Woody Allen’s darling of a film did. Maybe it stems from my being a dedicated Francophile, or probably because that film was a beautiful homage to art. Well, whatever the cause, I loved Midnight in Paris to the hilt for being a film that really brought my own fondest imagination to life.

Predicted Winner: The Artist

Continue reading 2012 Memo to the Academy

Q&A: Team from Oscar-Nominated Film “Time Freak”

(Re-posted from LimitéMagazine.com)

Among this year’s Oscar nominees for Best Short Film—Live Action is “Time Freak,” the comedic story of a neurotic inventor who creates a time machine that he uses to travel around yesterday so that he can obsessively correct his social foibles. The short is the only American film nominated in its category. I had the chance to pick the brains of the film’s masterminds, including writer/director Andrew Bowler, his producer wife Gigi Causey, and lead actor Michael Nathanson, just before their big day in Hollywood.

[youtube http://www.youtube.com/watch?v=-_DLkVR7hK0]

Where were you when you found out about the nomination?

Michael: I actually was sound asleep. My wife is a public school teacher in NYC, and she had been up early and found out at work. When she woke me up by screaming into the answering machine, I knew it was good news.

Andrew: We were at home when we heard the news. We got up at 4:45am, unable to sleep anymore. The telecast did not come on ’til about 5:50am, and then the results were posted online shortly after that. We wanted to share the possible moment with our friends and family in different parts of the country, so we shot it.

(Watch this video of Andrew and Gigi finding out they have been nominated for an Oscar.)

[youtube http://www.youtube.com/watch?v=MnwiOYhIExU&feature=youtu.be]

Continue reading Q&A: Team from Oscar-Nominated Film “Time Freak”

Continued Q&A: Team from Oscar-Nominated Film “Time Freak”

This is the continuation of a Q&A with the team from the Oscar-nominated short film “Time Freak” that I conducted for LimitéMagazine.com. For the first part of my interview with writer/director Andrew Bowler, producer Gigi Causey, and lead actor Michael Nathanson, click here.

Andrew, did you go to film school?

I went to NYU’s film school. I think I had a similar experience to most people who go there in that I met my best friends whom I would collaborate with for years and almost no one else. Geoffrey Richman, Michael McDermott, and Adam Fleischhacker are all accomplished filmmakers in their own right and they all worked really hard on “Time Freak.” The four of us all met in the same video class sophomore year. Geoffrey and Mike were producers [on “Time Freak”], as well as the editor and production designer, respectively.

Michael, how and when did you first catch the acting bug? What have been your biggest challenges in developing your style and rhythm as an actor?

I remember being in my first school play when I was in sixth grade, playing the comedic villain in a Gilbert and Sullivan musical, and getting in front of an audience and thinking, “Wow, this is what I want to do.” I was always a film buff, and I had the opportunity to see so many great films, growing up in NYC. It really wasn’t until I got to Northwestern in Chicago and studied theatre that it really hit me that this is what I’m going to be doing with my life. As an actor, kind of like the character in “Time Freak,” you’re always trying to get better, understand the craft more—sometimes it works and sometimes it doesn’t. I feel like I try, whether it’s stage or screen, to give the audience something edgy, something unexpected. I like when an audience is uncomfortable, and yet wants to know more. I think that’s when the most interesting work happens. There’s a fearlessness I admire in actors like Gary Oldman and in comedians like Bill Murray; they are so invested in their character work, you truly feel like anything can happen at any moment. I guess I would say I’m not into ever playing it safe.

Continue reading Continued Q&A: Team from Oscar-Nominated Film “Time Freak”

Review: The Artist

NOTE: This review contains spoilers.

Some time last year, I thought to myself, “Why doesn’t anyone make a silent film today? It would be interesting to see a contemporary filmmaker’s take on early cinema.” And then The Artist came along …

I had been looking forward to seeing The Artist since it screened at Cannes mid-last year. The film follows 1927 silent screen superstar George Valentin (Jean Dujardin) as he holds firmly onto his principles at the expense of his career in the wake of the emergence of “talkies.” Following a chance encounter with one of his fans, Peppy Miller (Bérénice Bejo), who bumps into him (literally), she is immediately bitten by the Hollywood bug. As her acting career takes off in the talking pictures, Valentin’s begins to flounder. It’s the stuff A Star Is Born is made of.

Typically, I’m a sucker for movies about movies, and being a classic film buff, I was excited about the prospects of watching a modern-day silent film set in the ’20s, a pivotal period in early cinema. Having just watched it, I can say that it’s a terrific film. As is the case with any great film, all elements come together to make one great picture—a reminder that the sum should always be greater than its parts. The film, much like its leading man Dujardin, is debonair, classy, and charming. The beautiful black-and-white cinematography by Guillaume Schiffman merges with some dazzling performances by Dujardin, Bejo, and John Goodman (who plays a Cecil B. DeMille-type studio executive).

Continue reading Review: The Artist

Short Film: “Signs” by Patrick Hughes

I first watched this short a couple of years ago and loved it. Watching it again, I like it, but it doesn’t have the magic that I seemed to remember the first time.

[youtube http://www.youtube.com/watch?v=uy0HNWto0UY]