New York Film Festival Preview: Frances Ha

(Re-posted from LimitéMagazine.com)

Screenings:

Sunday, September 30, 6:30pm (Alice Tully Hall)

Thursday, October 4, 9pm (Alice Tully Hall)

Wednesday, October 10, 4pm (Francesca Beale Theater)

Venue: Lincoln Center, NYC

Series: NYFF50: Main Slate

She breaks up with her boyfriend and begins to lose her newly engaged best friend. Things are not looking up for Frances, a struggling dancer in her late 20s who finds herself practically couch surfing throughout New York City. Her life didn’t turn out quite the way she expected, and as a result, she’s forced to face the challenges of just plain living. In his directorial follow-up to 2010′s Greenberg, Noah Baumbach once again collaborates with lead actress Greta Gerwig (who also wrote the script with Baumbach) in Frances Ha. Where this coming-of-age tale falls flat on story, it more than makes up for in character. No doubt, the film’s black-and-white cinematography adds a touch of quirkiness to complement the dynamic characters of Frances and her best friend Sophie (played by Mickey Sumner). Frances’s hopes, dreams, and disappointments play out in a relatable fashion that isn’t too heavy. It is easy to see ourselves in her position, struggling to reconcile our dreams with our reality. The film is heavy on dialogue with little quiet time, setting off the pace at which Frances’s life unravels—and it does so to the point where she finds herself working and living at her old college for a summer, illustrating a very clear regression. Frances Ha is a delightful movie with memorable performances by both Gerwig and Sumner. Following Baumbach’s terrific showing with Oscar-nominated The Squid and the Whale (2005), the writer/director lost his footing a bit with Margot at the Wedding (2007) and to a lesser degree with Greenberg. Thankfully, he’s back in peak form with Frances Ha.

Limité Rating: 4/5

Director: Noah Baumbach

Genres: Narrative, Comedy

Country: USA

Language: English

Runtime: 86 min.

Note: Greta Gerwig and Mickey Sumner will be participating in a free conversation, courtesy of NYFF Live on Monday, October 1 at 7pm in the Elinor Bunin Munroe Film Center Amphitheater, located in Lincoln Center at 144 W. 65th St., NYC.

The 50th New York Film Festival runs from September 28 – October 14, 2012.

New York Film Festival Preview: Life of Pi

(Re-posted from LimitéMagazine.com)

[youtube http://www.youtube.com/watch?v=mZEZ35Fhvuc]

Screenings:

Friday, September 28, 6pm (Alice Tully Hall)

Friday, September 28, 6:15pm (Walter Reade Theater)

Friday, September 28, 6:30pm (Howard Gilman Theater)

Friday, September 28, 6:45pm (Francesca Beale Theater)

Friday, September 28, 9pm (Alice Tully Hall)

Friday, September 28, 9:15pm (Walter Reade Theater)

Friday, September 28, 9:30pm (Howard Gilman Theater)

Friday, September 28, 9:45pm (Francesca Beale Theater)

Venue: Lincoln Center, NYC

Series: NYFF50: Gala Tributes

*WORLD PREMIERE*

Based on the best-selling book of the same title, Life of Pi tells the story of young Pi, a spirited Indian teenager whose faith and endurance are put to the ultimate test when he must fight for survival in the middle of the Pacific Ocean with only a lifeboat and a ferocious Bengal tiger to keep him company. Pi’s father must sell his family-owned zoo and plans to relocate his family to Canada by way of a Japanese ship. There, he will sell the many exotic animals he’s taken into his custody. After the ship sinks during a terrible storm, Pi is the lone (human) survivor and must find a way to survive on the mighty Pacific for more than 200 days.

Continue reading New York Film Festival Preview: Life of Pi

New York Film Festival Preview: Passion

(Re-posted from LimitéMagazine.com)

[youtube http://www.youtube.com/watch?v=xaSVR4pCKT4]

Screenings:

Saturday, September 29, 9pm (Alice Tully Hall)

Saturday, October 6, 9pm (Walter Reade Theater)

Thursday, October 11, 3:15pm (Francesca Beale Theater)

Venue: Lincoln Center, NYC

Series: NYFF50: Main Slate

In the highly competitive world of advertising, Christine (Rachel McAdams) takes credit for an idea had by her underling Isabelle (Noomi Rapace), which results in a downward (and deadly) spiral for all involved. Passion is adapted from the 2010 French film Love Crime (dir. Alain Corneau). Directed by Brian De Palma—the same man who birthed such gritty and violent films as Carrie (1976), Scarface (1983), and The Untouchables (1987)—this movie will not live up to the “classic” status of its siblings. Upon watching Passion, one immediate question comes to mind: Mr. De Palma, what the hell were you thinking?

In a film that is perhaps best described as a sleazy late-night “skinemax” movie with less skin, the opening close-up shot of the Apple logo is as sordid and egregious as the lingerie, cheesy saxophone music, posh locales, lipstick, backstabbing, and sex that permeate this poorly written and badly acted movie. McAdams reprises some of the same manipulative and tawdry traits as her character in Mean Girls (2004), but they are less appealing to watch here. And given the setting of an ad agency (the advertising industry is grossly misrepresented, by the way), the Apple logo, which makes a second appearance later in the movie, reveals a film that is all-too aware of itself. This “meta” device, which could have been used cleverly falls flat instantly. Additional miscues in the film’s story include some nonsensical character motivations; some moments of “really?? are you serious??”; and a sloppy, head-scratching error regarding a very important item towards the end of the film. If the purpose of this movie is to be really, really bad, then this movie is really, really good.

Limité Rating: 1/5

Director: Brian De Palma

Genres: Narrative, Drama, Thriller

Countries: France/Germany

Language: English

Runtime: 100 min.

The 50th New York Film Festival runs from September 28 – October 14, 2012.