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2014 Fall Film Guide

September 15, 2014

Ben Affleck in David Fincher’s GONE GIRL

I recently curated and edited Limité‘s 2014 Fall Film Guide. Get a taste below, then click here for the full guide.

Fall is nearly upon us, so we’re turning our sights towards some of the season’s hottest releases—from what are sure to be big budget crowd pleasers (the latest in the Hunger Games and Hobbit franchises), art house favorites (Whiplash, Mr. Turner), and sure-fire Oscar bait (Birdman, Foxcatcher). Mark your calendars for these fall flicks.

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Short Film: “Somebody” by Miranda July

September 12, 2014

In her quirky fashion, filmmaker/artist Miranda July (Me and You and Everyone We Know, 2005) based her latest short film, “Somebody,” on an app that enables people to deliver personal messages in a very impersonal way. The film, which premiered at this year’s Venice Film Festival, is currently available on YouTube, but you can watch the 10-minute short below.

The film lacks a narrative, but it makes for an enjoyable watch. July was commissioned to make this film for fashion label miu miu’s Women’s Tales series, and yes, the app is real. Get more information here.


Q&A: Michelle Tattenbaum, Director of DANNY AND THE DEEP BLUE SEA

August 28, 2014

Excuse me while I shift my focus from film for a moment. I recently interviewed theatre director Michelle Tattenbaum, who’s staging an Off-Broadway revival of John Patrick Shanley’s Danny and the Deep Blue Sea. The show opens on October 7 at New York City’s Nuyorican Poets Café.

(Re-posted from Limité

by Daniel Quitério

Notable theatre director Michelle Tattenbaum has made her presence felt in New York and regional theatre for the past several years. Most recently, she helmed the world and New York premieres of Nobody Loves You, a large-scale, comic musical about a reality dating show, which ran Off-Broadway last year at Manhattan’s Second Stage Theater. Proving her adeptness at directing larger productions as well as smaller, character-focused pieces, Tattenbaum now turns her attention to an Off-Broadway revival of the more intimate Danny and the Deep Blue Sea.

Written by Pulitzer Prize-, Tony Award-, and Oscar-winning scribe John Patrick Shanley (Doubt: A Parable), Danny and the Deep Blue Seatells the story of Danny and Roberta, living on the fringe of society. The two outcasts meet in a Bronx bar and engage in a topsy-turvy conversation that is poised to result in an unexpected connection.

I recently had the opportunity to communicate via e-mail with Tattenbaum, as she’s prepping her next production.

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2014 Young Hollywood

August 8, 2014

(Re-posted from Limité

It’s often said that Hollywood is a young person’s game. Although many film and TV veterans are still making waves in the industry, we, at Limité, are taking a look at some of Hollywood’s brightest youth. Our annual “Young Hollywood” feature profiles actors aged 30 and under and filmmakers aged 40 and under. Here’s who we have our eyes on…

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Film Review: Magic in the Moonlight

July 21, 2014

(Re-posted from Limité

by Daniel Quitério

Colin Firth and Emma Stone in MAGIC IN THE MOONLIGHT (photo by Jack English, courtesy of Sony Pictures Classics. © 2014 Gravier Productions. All rights reserved.)

Exotic locations. Defined characters. Sharp wit. It’s what you come to expect from the venerable, and oh so prolific Woody Allen. And it’s what you’ll come to find in his latest offering, Magic in the Moonlight. In short, if you hate Woody Allen, you’ll hate this film. But on the other hand, if you love this cinematic mastermind, you’ll be as enamored and enchanted by Magic as this reviewer was.

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Limité Must-See: Another Earth (2011)

July 16, 2014

(Re-posted from Limité

by Daniel Quitério

Photo courtesy of Fox Searchlight. © 2011. All rights reserved.

This is the one movie from the past three years that I’m still tweeting about. It’s rare these days that a film comes along and etches its mark in your mind quite the way Another Earth did to me. Stitched together using bubble gum and string (and green fabric and googly eyes—really), this super low-budget indie darling launched the careers of star and co-writer Brit Marling (Arbitrage, 2012) and writer/director Mike Cahill (I Origins, 2014). Believing that it would be near impossible for two unknowns to attract funding in order to make their film, Cahill and Marling took matters into their own hands. The two Georgetown alumni shot the film in Southern Connecticut with a tiny crew, ultimately earning it a place in Sundance’s 2011 official selection, where it won a Special Jury Prize and the Alfred P. Sloan Prize, which is awarded to a film that focuses on science or technology as a theme. It was distributed later that year by Fox Searchlight.

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2014 Faces to Watch

July 14, 2014

NOTE: I edited and partly wrote the following feature for Limité

(Re-posted from Limité

Committed to its mission to seek and promote tomorrow’s trending topics, we are thrilled to announce its sixth-annual “Faces to Watch” feature. Compiled by Limité’s film team, “Faces to Watch” presents a curated look at this year’s newest and brightest in film – both in front of and behind the camera – as seen through the lens of Limité.


Ryan Coogler

Ryan Coogler / filmmaker

by Minnie Li

Ryan Coogler rose to critical acclaim with his directorial debut, Fruitvale Station. Its Grand Jury Prize and Audience Award wins at last year’s Sundance Film Festival were the first of a trail of recognition from festivals the world over, including the Prix de l’avenir at Cannes, which recognizes Coogler as a talent to watch. He, along with his star Michael B. Jordan, was named by Time as one of the 30 people under 30 changing the world. In December, the 28-year-old filmmaker took home best breakthrough director at the IFP Gotham Independent Film Awards.

Fruitvale Station chronicles the last day of 22-year-old Oscar Grant’s life. A white transit officer shot Grant, who was African-American, in 2002 on the BART platform. A decade later, George Zimmerman shot the unarmed young black man, Trayvon Martin. The film and its timely release suggest that life in post-racial America has changed little. Coogler is an Oakland native and has worked as a counselor at a juvenile hall in San Francisco and as a counselor and security guard in a home for troubled Bay Area youths. Grant’s story hit home.

Coogler’s next project is Creed, a spin-off of the Rocky franchise. Sylvester Stallone and Michael B. Jordan have already signed on.

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