On the eve of Jennifer Aniston’s dramatic turn in Cake, I thought it would be worth a trip back to 2002 to her previous against-type role in The Good Girl. Aniston plays a depressed, blue-collar, married woman who engages in an affair with a troubled, younger man (Jake Gyllenhaal). This was the first time I had seen Aniston in a dramatic role, and ever since seeing this I “ached” to see her break from her traditional rom-com inclinations and once again prove her versatility in a meaty indie film. We’ll get that later this month with Cake.
In the meantime, here’s a compilation of the scenes between Aniston and Gyllenhaal in The Good Girl.
If you’re anything like me, you make a point to watch as many “Oscar films” as possible before the February ceremony. To help me with this, I assemble a checklist of sorts every fall, ordering each film by release date. To that end, listed below are some of this year’s biggest prospects that are either currently in theatres or set to be released in the upcoming weeks. In the event that I’ve seen one of the films listed, I included my rating out of 10.
Directed by Oscar-winning Danish filmmaker Susanne Bier (In a Better World, 2010), Serena reunites Silver Linings Playbook players Jennifer Lawrence and Bradley Cooper.
Synopsis: North Carolina mountains at the end of the 1920s–George (Cooper) and Serena Pemberton (Lawrence), love-struck newly-weds, begin to build a timber empire. Serena soon proves herself to be equal to any man: overseeing loggers, hunting rattle snakes, even saving a man’s life in the wilderness. With power and influence now in their hands, the Pembertons refuse to let anyone stand in the way of their inflated love and ambitions. However, once Serena discovers George’s hidden past and faces an unchangeable fate of her own, the Pembertons’ passionate marriage begins to unravel, leading toward a dramatic reckoning.
Magnolia Pictures will release Serena on iTunes and VOD on February 26, and in theatres on March 27.
This morning, the Independent Filmmaker Project (IFP) announced the nominees for its 24th annual Gotham Independent Film Awards, honoring the best in independent cinema. The Gothams are regarded as the first major award show of the awards season. Richard Linklater’s 12-year odyssey, Boyhood, leads the pack with four nominations, including Best Feature.
(Re-posted from LimitéMagazine.com)
Series: Main Slate
Haunting. There’s perhaps no better word to describe the true story of DuPont chemicals heir John E. du Pont and his curious relationship with Olympic champion wrestlers, brothers Mark and David Schultz. In filmmaker Bennett Miller’s third feature, Steve Carell plays against type (superbly) to embody the eccentric—if not mildly psychopathic—du Pont in this 1980s-set true story. To call Foxcatchera “sports movie” is providing it a disservice. Yes, wrestling provides more than just a backdrop for the narrative, but the most compelling aspect of the two-hour-plus drama is the character study it provides, especially among the three leads. These include du Pont, a man who’s perhaps never heard the word no in his life, striving to gain his mother’s approval; Mark (Channing Tatum), a man, who despite his champion status, struggles to step out of his older brother’s shadow; and David (Mark Ruffalo), a family man who must balance what’s best for his wife and children with his brotherly duties.
(Re-posted from LimitéMagazine.com)
Series: Special Presentation (World Premiere)
Who would have thought the year’s greatest thriller would be a documentary? In the days following Citizenfour’s world premiere at the New York Film Festival last Friday, various news and entertainment outlets have been lauding filmmaker Laura Poitras’s achievement, and rightfully so. Of all the films this reviewer screened at the 52nd New York Film Festival, none has left an impact quite as deep as Citizenfour.